Colette Wirz Nauke Interior Paintings

Abstract Expressionist Collage in Acrylic on Paper Bright, saturated abstract painting with collage by California-based artist Ricardo de Silva (American/Brazil, 20th C). Bold red,...

“Breathe Slowly/17” - This work is part of a series that encourages the observer to reflect and slow down in the fast pace of modern life. The lightness and spaciousness of the lands...

Tubutsch is an original modern rare book written by Albert Ehrenstein (Wien, 1886 – New York, 1950) and illustrated by Oskar Kokoschka (Pöchlarn, 1886 – Montreux, 1980) in 1911. Or...

This John Stephens original acrylic on panel painting measures 24x30 in and is available for $27,500. "Our Lady of the Foam" features a woman inside a greek mythology dome covered in...

Blooming geraniums often adorn the windows of European towns, adding a sense of warmth and charm — a painting in a vintage style. - Original oil painting - 30х30 cm - no framing ...

This work from the series “Autumn Talks” immerses the viewer in the world of soft, muted colors of the autumn landscape. The characteristic texture of the painting, which imitates th...

Idle chatter, 2021, 78x54 cm

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

The subtle interplay of light and shadow creates an atmosphere that is both expansive and intimate, inviting the viewer to stop and reflect. This work speaks to the need for silence ...

“Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

Realist still life painting by contemporary Houston artist Scott Woodard. The work features a white bust of the iconic figure Marie Antoinette with a tattoo...

This painting in the series “Autumn Talks/9” is admired for its ability to convey a sense of lightness and space in the autumn landscape. Soft, smooth transitions from warm earthy t...