Colin Moore Still-life Prints

Jack, Trent, Texas, Jill Johnson, Chromogenic Color print, Edition of 7, 50 x 50", 2022 Celebrated for her sense of fun, discriminating eye for detail and her insight into vanishing...

Cedar (small), 2022 Screenprint on Somerset Velvet Antique 280gsm hand-signed and numbered 47.5 x 38 cm Edition of 150 To commemorate Ai Weiwei’s gift of a tree sculpture, Cedar, 20...

This beautiful, original hand-colored orchid lithograph entitled "Laelia Anceps Williamsii" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Album...

This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...

Vintage Floral study etching titled "Weeds" by Marina Payot (American, 20th century), 1983. Titled, signed, and dated lower edge. Artists Proof designation. Unframed. Image: 11.75"H ...

This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...

Signed lower right, 'Margie Dickson' (American, 20th century) and dated 1990; additionally inscribed lower center 'hand colored screen print' with number and limitation, '5/20' and titled lower left...

A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...

Archival inkjet print of a realistic Birch tree forest landscape made with blue ball-point pen "Yield and Overcome", original drawing made in 2022 by Linda Newman Boughton, limited edition of 15 prints made the same year Archival inkjet prints on German watercolor paper 38.5 x 30 inches unframed, framing options available Signed and editioned by the artist Excellent condition This suite of limited edition prints captures Linda Newman Boughton’s Baroque inspired landscape "Yield and Overcome" in vivid detail. Taking four months to create, the original drawing was made entirely using the artist's favorite brand of “Rite in the Rain” waterproof blue-ink pen. Working from a photograph, Boughton employed a variation of pen strokes, combining gestural lines that serve as the drawing’s foundation, with tighter strokes to develop the sections of intricate detail. From a wild and tangled web of lines emerges identifiable forms, such as a complex root system or a bushy canopy of leaves. The work itself feels kinetic; millions of mark makings vibrate with an energy that stems from a sacred connection to nature. Boughton’s passion for the arts began early, as she acted, made art, and designed theatrical sets throughout her youth. She went on to study fashion illustration at Florida State University before transferring to F.I.T in New York City. Experience in the fashion world and her love for theatre soon landed her jobs in Hollywood, painting sets and murals for feature films such as Nightmare on Elm Street VII, Fight Club, among many others. The artist lives in Ghent, NY with her husband where she continues to make art and write and create show ideas for television. Artist Bio: Linda grew up in an artistic and theatrical family in Tampa, Florida. Drawing and painting always felt effortless and fun for her. Acting and designing in theatre also made up much of her early years. Her first choice in higher education was at Florida State University where she was a theatre major and had an art minor. At the University drawing skills were emphasized, and with a love of drawing people, she found herself in a fashion illustration class, loving every minute of it. Within a year of taking that class, she taught a summer fashion illustration course at Florida State University, and soon made her move to New York City where she attended the prestigious Fashion Institute of Technology, graduating Cum Laude, with a degree in fashion illustration. She worked in the fashion industry for the next several years, illustrating, designing accessories and shooting freelance photography. Her love of acting and design soon propelled her to seek out Hollywood and the creative opportunities of working in the movie industry. Within in a year Linda was working as a lead scenic artist painting sets and murals for feature films. On a feature called: Wes Craven's New Nightmare- Nightmare on Elm Street VII, there was a need for a Warhol TextBody">EXHIBITIONS Davenport and Shapiro Fine Art East Hampton, NY July - October 2012 Eckerd College St. Petersburg, FL The 10th Anniversary Invited Artists Exhibit January - March 2012 1078 Gallery Chico, CA September 2011 The Happening Gallery Los Angeles, CA Group Show September 2010 Strohl Art Center / Chautauqua Institute Chautauqua, New York Juried Show June - July 2010 James Gray Gallery at Bergamot Station Santa Monica, CA 2009 Gallery 800 Los Angeles, CA Group Show 2009 Art Salon Washington DC 2009 MJ Higgins Gallery Los Angeles, CA Group Show 2008 The Long Beach Museum of Art Long Beach, CA Group Show - Art Auction X 2005 The Long Beach Museum of Art Long Beach, CA Group Show - Art Auction IX 2003 ART WORK FOR MOVIES ART WORK FOR TV The Man with the Iron Fists Up All Night The Lone Ranger Hemlock Grove Beautiful Creatures Big Love Savages Desperate Housewives Water For Elephants Will and Grace Jonah Hex Access Hollywood Eagle Eye Various pilots Déjà vu Domino Starsky and Hutch Skeleton Key The Crow - City of Angels Fight Club Fear and Loathing...

This is a 19th century hand-colored engraving of a flowering cactus entitled "Cereus Procumbens" by George Englemann (1808-1884) after a drawing by Paulus Roetter (1806–1894). It was...

Rye bread. 1980, Paper, linocut, print size 50x65 cm; total 65x73 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The mai...

This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...