Darlene Charneco Abstract Paintings

1893 PRAGUE 2020 Paris, France Identifying a hypothetical time and place, ‘1893 Prague’ is inspired by the anticipation of opening a letter from the past. The name of the piece and ...

LI-1 Size 24″X24″X2" Light Installation Art. Materials: acrylic, silver acrylic frames, epoxy, natural stones, LED light. Year of Creation: 2022 This art is installation of plexigl...

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

Interior design paintings. Abstraction art, made in red, orange, yellow, black, white and grey. Can be positioned in horizontal or vertical mode. Lena Chern...

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

This has been an interesting painting for me, as it is the result of a chance gift of some acrylic texture, that has formed the basis of this work. The pumice additive gave a feeling...

"Hearts of Fire" by Kevin Barrett Acrylic and epoxy on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. ...

LI-13 Size 24″X24″X2" Light Installation Art. Materials: acrylic, silver acrylic frames, epoxy, natural stones, amethyst, LED light. Year of Creation: 2022 This art is installation...

"Rhythm 2" by Kevin Barrett Large Abstract Wall Scupture in painted aluminum. This piece has a hologram-like effect. Barrett is noted for creating uniqu...

"Nasturtium, Diptych" is an abstract diptych painting of two potted plants. On the lefthand canvas the background is painted a thin hookers green and resin was poured over the top. The potted flower is painted over the resin, sitting on a white stippled table with a thick yellow edge. Yellow stipples are painted around the plant. The righthand painting has intentionally exposed canvas soft smudges of green paint through the middle of the canvas and navy up in the upper lefthand corner, at the middle of the composition. A heavy impasto flower...

LI-15 Size 24″X24″X2" Light Installation Art. Materials: acrylic, silver acrylic frames, epoxy, natural stones, LED light. Year of Creation: 2022 This art is installation of plexig...

Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...