D*Face More Prints
British, b. 1978
What now seems like a lifetime but is merely a decade ago I sat slumped at my desk, head on arm pushing a pencil round a piece of paper dreaming up ways to kill time and break the chains holding me to my desk, Monday to Friday each day became the same and I was eating my brain.
Then one day whilst dreaming up further ideas in the series of ‘Ways to kill time’ the pencil lines on the pad started to become characters, strange and dysfunctional they formed my dysfunctional world which had no rule. Slowly I figured the pencil could be replaced with a marker pen (the Pentel N50 to be exact) and the paper replaced with cheap vinyl which was acquired from DIY stores, these characters once resigned to a life on paper filed in a folder under ‘Not suitable for visual consumption’ began to have a life of their own; adhered to lamp post and electrical boxes they plotted and linked my route home, one became 10 and slowly 10 became more than I can remember. Each evening and as much of the day as I could rob was spent drawing and cutting out stickers. Stickers became posters, posters became more ambitious and somewhere in between I quit my job or maybe that was I got fired, either way the inevitable had happened. Like a river cuts it’s own path, I’d cut mine.
This family of dysfunctional characters began evolve, they started to satirise and hold to ransom all that fell into their grasp, a welcome jolt of subversion in today’s media-saturated environment, the very same thing I’d grown up on. Bank notes were drawn and printed over and put into circulation for the unsuspecting to receive in their change, billboards taken over with public service announcements. I wanted to encourage people to not just to ‘see’, but to look at what surrounds them and their lives, reflecting our increasingly bizarre popular culture, re-thinking and reworking cultural figures and genres to comment on our ethos of conspicuous consumption. A Pandora’s box of bittersweet delights, sweet and sugary on the surface, but with an unfamiliar, uncomfortable, taste beneath.
This isn’t the beginning, it’s not the end it’s happy never ending.
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Artist: D*Face
D*Face Left For Dead Street Art Contemporary Screen Print COVID-19 Edition
By D*Face
Located in Draper, UT
Medium:
Print
Condition:
Print is in pristine condition and has been stored flat since purchase.
Signature
Hand-signed by artist
Frame:
Not included
Publisher
Stolen Space
Category
2010s Street Art D*Face More Prints
Materials
Screen
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D*face more prints for sale on 1stDibs.
Find a wide variety of authentic D*Face more prints available for sale on 1stDibs. You can also browse by medium to find art by D*Face in screen print and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the street art style. Not every interior allows for large D*Face more prints, so small editions measuring 28 inches across are available. Customers who are interested in this artist might also find the work of Shepard Fairey, Invader, and Mark Drew. D*D*Face more prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,600 and tops out at $1,600, while the average work can sell for $1,600.