Ditta Messulam Enrico Vases

FLAVIO POLI. Production Seguso Vetri d’Arte, Design Italy 1950 ca. Vase in colorless, light blue and lilac sommerso glass, drop-shaped body with flat circular mouth. Please watch the...

Vintage ceramic vase made in Italy in the 1974. Mid-century vase has an original signature. The ceramic vase is in very good vintage condition, with no damage. Dimensions: Width: 1...

A circa 1960's Italian blue and green glass vase. Measurements: Height: 14" Diameter: 7"

René Lalique - “Biskra” vase in opalescent glass enhanced with a blue patina. Sandblasted signature with stamp. Model created by René Lalique in 1932 and removed from the catalog ...

A circa 1960's Italian Murano vase. Measurements: Height: 13.5" Diameter: 8"

Sculptural vintage vase features a bulbous body with pronounced wide rim; it is decorated in complex drip glaze in blue, teal, and green palette with beige pink accents. Parts of the vase near the bottom are intentionally left unglazed to accentuate the unpredictable nature of the drip glazes. The inner surfaces are decorated with the glazes in the same palette, and the inner part of the rim is done with the same drip glaze pattern as the outer surfaces, creating a continuous composition and guiding the eyes of the viewers along the lines of the piece. The vase is signed and dated by the artist on the bottom, "Linn L. Phelan 1932", circling the base, and marked with that appears to be either model or glaze numbers in the center. The date corresponds with Phelan's training under Arthur Baggs; the vase is an important example of Phelan's early work and of early American studio pottery movement. While the form of the vase shows Art Deco style influence, the striking glaze on the piece points towards the distinctive works Phelan created later in his career. We are offering a large ceramic decorative bowl, created by Phelan in 1950s-1960s, in a separate listing. Linn Lovejoy Phelan (1906-1992) was a renowned American ceramic artist, who operated famous Rowantrees and Linwood Pottery in Maine. He studied art in Bevier School of Art of the Rochester Athenaeum and Mechanics Institute (now Rochester Institute of Technology) in Rochester, New York, in 1928, and received his BFA in Ceramic Art in Ohio State University, Columbus, Ohio, in 1932. While attending Ohio State University, Phelan took "Ceramic Art: Survey of the Field" class, taught by Arthur Baggs. After Phelan left the school, he corresponded with Baggs, and in late 1930s Phelan wrote to Baggs of his experiences in helping to start up what becomes Rowantrees Pottery of Blue Hill, Maine. Arthur E. Baggs (1886-1947) studied at Alfred University in 1903-1905 and 1910-1911 with Dr. Charles F. Binns, who was considered "the father of American ceramic art"; Baggs worked at Marblehead Pottery and Cowan Pottery Studio, and became the head of the Ceramic Art Division of the Fine Arts Department at Ohio State University in 1928. Examples of Baggs work are in the collections of The Metropolitan Museum of Art in New York; Museum of Fine Arts, Boston; Everson Museum of Art in Syracuse, NY; and Columbus Museum of Art in Ohio. Baggs was an extremely influential figure in early American ceramics; he was given the Binns medal for outstanding achievement, made a Fellow of the American Ceramic Society and a member of Keramos. Through Baggs Phelan was exposed to the foundations of technical creativity and advancements in ceramic art in Alfred University, as well as the early 1900s studio pottery movement in America, linking the Arts and Crafts phase of studio pottery to Modernist movement. In 1940s Phelan started teaching ceramics at School of American Craftsman (SAC), founded by Aileen Osborn Webb at Darthmouth College in 1944; SAC moved to Alfred University in Alfred, New York, in 1946, and to Rochester Institute of Technology (RIT) in 1950s. In 1940s SAC faculty included Edwin Blanchard Brown, Ernest Frank Brace, Laurits Eichner, Philip Morton, Charles Reese, Ethel Mitchell, Robert Savage, Thomas Mclure, along with Linn Phelan and another renowned ceramist, Herbert...

Pressed molded opalescent glass vase. Model created by RENE LALIQUE in 1932 and removed from the catalog in 1939. Signed under the base R. LALIQUE FRANCE. Bibliography: Félix Marc...

First edition Amazonia Vase, designed by Gaetano Pesce for Fish Design. Exuberant form with an anthropomorphic quality. Molded in the designer's signatur...

Blown glass vase made by Vivarini. Vivarini is an artistic glassworks established in Murano in 1967 Murrine technique, small glass elements are placed side by side and then fused to...

ERCOLE BAROVIER . Production Barovier & Toso, Murano, Italy ca. 1964. Vase from the “Efeso” series in blown glass of ice color obtained with the hot coloring technique without fusio...

Vibi Torino Made in Italy, 1950-1960. Made of lacquered ceramic, with light and dark shades in shades of light blue. The thin ceramic makes this sculptural object truly special. It i...

Jean Besnard Art Deco ceramic, signed and dated 1932, in excellent condition.