Dutch Originals

W. H. Gispen 412SGE in Chrome and Padded Leather with Ottoman, 21 century edition for Dutch Originals, The Netherlands. Stunning Dutch design in a very distinct configuration with h...

Large Blue and white charger with landscape The Netherlands, circa 1660 The charger has a wide, spreading flange and is painted in b...

Polychrome chinoiserie lobed dish. Delft, 1680-1690 The lobed dish is composed of nine wide lobes around a nine-fold centre and is painted with a chinoiserie decor in purple, yellow and green. Two Chinese figures in an eastern landscape are depicted in the centre, one of them carries a banner. The landscape is framed within lines and a white band. The border is decorated with a continuous landscape with two reclining and two standing Chinese figures. A lobed dish of the same shape and design in purple, blue and green is in the collection of the Victoria and Albert Museum in London. The Museum of Fine Arts in Boston, Massachusetts holds a variant in blue and yellow. In the same museum are three lobed dishes, each with twenty-seven double lobes with chinoiserie landscapes in the same colour scheme of purple, yellow and green. In the second half of the seventeenth century many lobed dishes were painted with Chinese motifs, mostly landscapes with Chinese figures. The vast majority are in blue. Two- or multi-coloured chinoiserie decorations were very fashionable during a short period of time, predominantly in the 1680s. In addition to lobed dishes, they also appear on wine jugs, beer mugs, butter pots, covered spiced-wine bowls and dishes. Some of this Delftware is still wrongly attributed to a factory in the German town of Frankfurt, and sometimes it is even considered to be English. An excavated chinoiserie butter pot in purple, green and yellow, found in a cesspit in the grounds of the Porcelain Bottle factory, proves otherwise. A beer mug with the portrait of the Dutch prince Willem III...

Mule with flowers in purple and blue Amsterdam, 1740-1760 The mule has a pointed nose and a high vamp. It is painted in blue and purple with flowers. A band with dots is applied in blue just below the edge of the shaft. The heel and sole are in purple. Dimensions: length 13 cm / 5.11 in., width 4.6 cm / 1.81 in., height 4.7 cm / 1.85 in. Provenance: Aronson Antiques, Amsterdam Shoes in all shapes and sizes were part of the standard repertoire of almost all Delft potteries. Outside Delft, they were made in Harlingen potteries and in Amsterdam tile factories. Delft shoes...

A set of two peacock design Delft plates, and two larger Delft dishes. All hand-painted with "peacock" pattern. 2 plates marked "De Porceleyne Claeuw" Dimensions: diameter of 9" / 23cm each plate. 2 dishes are also marked, one for "De Porceleyne Claeuw" (Porcelain Claw) and the other one marked 'De drie...

Blue and white chinoiserie altar vase. Delft, circa 1685 The ovoid altar vase stands on a high-waisted foot. The flaring cylindrical neck ends in an outward sloping mouth rim. The two blue coloured lion-shaped handles have suspending rings in their jaws. The body is painted with a continuous oriental landscape with banana and pine trees, Chinese figures and houses, while the neck is painted with three bands of different ornaments. The mouth rim is decorated with rectangular ornaments, the foot with leaves under a band around the ankle. Altar vases are also called vases à chimères. The oldest faience examples were made in the sixteen-twenties in Nevers, France and are attributed to the Conrade potters family, who originated from Italy. The shape is based on metal vases used during the services in Catholic churches. Therefore it is no wonder that many altar vases are painted with the Christogram IHS. Altar vases were made in Delft from about 1675 onwards and production continued well into the eighteenth century. Marked examples are known from multiple manufacturers, such as The Greek A and The Moor’s Head potteries (Aronson 2011, pp. 14-15). A pair of eighteenth century vases was made between 1700 and 1716 at The Three Porcelain Ash Barrells pottery. They are marked with PK for the owner Pieter Kam or, after 1705, by his widow (Blazy & Boyazoglu 1983, p. 110). The pair is painted with a dense parsley decor. A miniature example was excavated from a cesspit in the grounds of the former Porcelain Bottle pottery in Delft. At the same location a larger fragment was also found, decorated with a triple-tulip design in blue and yellow (Eliëns, Schledorn, Van Aken-Fehmers, pp. 31 , 36, 45). Three altar vases with similar tulip and flower decoration in blue and yellow are in the collection of the Dutch Open Air Museum in Arnhem and can also be attributed to the Porcelain Bottle pottery (Klein, p. 152). Official Catholic services were not allowed in the seventeenth century in the Dutch republic, however Catholic conventicles were tolerated. At first sight it might be surprising that a Catholic object...

Blue and white dish with flower vase. Delft, 1740-1760 The Three Bells pottery. Mark: three bells Dish with a scalloped rim painted in blue showing a ...

Blue and white dish with flower vase. Delft, 1665-1675 The blue and white dish has a wide, spreading rim and is painted in the centre with a vase ...