Edgard Maxence Mixed Media
to
1
Overall Width
to
Overall Height
to
1
1
1
1
1
1
1
1
295
266
150
148
1
1
Artist: Edgard Maxence
Jeune femme en prière
By Edgard Maxence
Located in PARIS, FR
Tempera, oil and gold highlights on hardboard
Signed lower left
Category
20th Century Symbolist Edgard Maxence Mixed Media
Materials
Gold
Related Items
'Surfacing II, ' by Dragana Milovic, Mixed Media Painting
Located in Oklahoma City, OK
This 48" x 34" mixed media painting, 'Surfacing II,' by Dragana Milovic features an abstracted geometric composition featuring 3d objects adhered to th...
Category
2010s Abstract Geometric Edgard Maxence Mixed Media
Materials
Gold Leaf
$6,000 Sale Price
30% Off
H 48 in W 34 in D 3.25 in
Christ Pantocrator after an Russian icon of the 15th Century
Located in Segovia, ES
Christ Pantocrator after a Russian icon of the 15th Century.
Tempera and gold leaf on gesso over a wooden board.
Measurements in centimeters: 38 x 29.5 x 3 cm. / In inches: 14.96 x 11.8 x 1.18 "
This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well.
Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is
"shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold.
Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments.
Tempera painting is done in numerous layers from dark to light.
When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”.
ABOUT THE ARTIST
Oliver Samsinger (Vienna, 1968) began to take an interest in icons in 1990. He undertakes several trips to Bulgaria, Greece, and Cyprus to see in situ the original works treasured in these three countries. This experience will be crucial in his life since the studies carried out in Sofia, the Bulgarian capital, and his stay on Mount Athos...
Category
1990s Byzantine Edgard Maxence Mixed Media
Materials
Gold Leaf
$1,104
H 14.97 in W 11.62 in D 1.19 in
"Birth of Christ" after a Russian icon of the 15th century. Oliver Samsinger
Located in Segovia, ES
"Birth of Christ", after a Russian icon of the 15th century.
Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm.
This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses.
ABOUT THE ARTIST
Oliver...
Category
1990s Byzantine Edgard Maxence Mixed Media
Materials
Gold Leaf
$3,398
H 26.78 in W 20.48 in D 1.58 in
The Evangelist Matthew, after a Russian icon, school of Moscow, 15th century
Located in Segovia, ES
The Evangelist Mathew after a Russian Icon. School of Moscow, 15th century.
Egg tempera, gold leaf, and gesso, over a wooden board.
Dimensions: (H) 52 x (W) 36 x (D) 3 cm.
Saint Matthew, the Evangelist, is represented at his own desk, a true artisan laboratory.
THE THECHNIQUE
This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well.
Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is
"shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24 carat gold .
Now does the actual process of painting begin. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments.
Tempera painting is done in numerous layers from dark to light.
When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”.
ABOUT THE ARTIST
Oliver Samsinger...
Category
1990s Byzantine Edgard Maxence Mixed Media
Materials
Gold Leaf
$1,416
H 20.48 in W 14.18 in D 1.19 in
Flowers 1999, Paper, monotype
Located in Riga, LV
Nele Zirnite (1959)
2003 Associate Professor, Art Department, the Latvian Christian Academy
2000 M.F.A., the Latvian Art Academy
1995 – 2003 Lecturer, Graphic Arts Department...
Category
1990s Symbolist Edgard Maxence Mixed Media
Materials
Paper, Etching
Reservoir 2006, 8/50, paper, etching, 49.5x29 cm
Located in Riga, LV
Nele Zirnite (1959)
2003 Associate Professor, Art Department, the Latvian Christian Academy
2000 M.F.A., the Latvian Art Academy
1995 – 2003 Lecturer, Graphic Arts Department...
Category
Early 2000s Symbolist Edgard Maxence Mixed Media
Materials
Paper, Etching
$519
H 19.69 in W 11.42 in D 0.04 in
Saint John The Forerunner after a Russian Icon from the 16th Century
Located in Segovia, ES
Saint John, The Forerunner, after a Russian Icon from the 16th Century.
Tempera and gold leave on gesso over a wooden board.
Dimensions: (H) 33 x (W) 25,5 x (D) 4 cm.
Photos are included with the icon exposed to very different lighting, but all of them are natural.
John, The Forerunner, is depicted as an ascetic desert saint with a tousled beard and a coat made from camel hair. The expression that transmits his beautiful face is very intense.
This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well.
Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is
"shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold .
Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments.
Tempera painting is done in numerous layers from dark to light.
When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”.
ABOUT THE ARTIST
Oliver Samsinger...
Category
1990s Byzantine Edgard Maxence Mixed Media
Materials
Gold Leaf
$1,274
H 13 in W 10.04 in D 1.58 in
"Sacred Geometry of Sagittarius" - Casein and Gold on Engraved Wood - 40x40cm
Located in Geneva, CH
The Sacred Geometry of Sagittarius.
Associated with the number 9 and Jupiter; representing expansion, inner freedom, knowledge, and luck. Embodies universal wisdom, the completion o...
Category
2010s Abstract Geometric Edgard Maxence Mixed Media
Materials
Gold Leaf
$900
H 15.75 in W 15.75 in D 0.4 in
"Two Clowns" Mixed Media and Oil Portrait by Ozz Franca
By Ozz Franca
Located in Pasadena, CA
Brazilian artist Ozz Franca reflects on performance, identity, and detachment in this mixed-media composition. Two figures dominate the central space: a Pierrot and a figure whose fa...
Category
1970s Symbolist Edgard Maxence Mixed Media
Materials
Mixed Media, Oil
$1,550
H 36.25 in W 24.25 in D 1.5 in
Dinner 1988, paper, etching, 9x14 cm
Located in Riga, LV
Nele Zirnite (1959)
2003 Associate Professor, Art Department, the Latvian Christian Academy
2000 M.F.A., the Latvian Art Academy
1995 – 2003 Lecturer, Graphic Arts Department...
Category
2010s Symbolist Edgard Maxence Mixed Media
Materials
Paper, Etching
Diffusion 2010, 13/50, A/P
Located in Riga, LV
Nele Zirnite (1959)
2003 Associate Professor, Art Department, the Latvian Christian Academy
2000 M.F.A., the Latvian Art Academy
1995 – 2003 Lecturer, Graphic Arts Department...
Category
2010s Symbolist Edgard Maxence Mixed Media
Materials
Paper, Etching
"Comediantes". Hand-colored Symbolist Monotype. Mixed media on handmade paper.
Located in Segovia, ES
"Comediantes", by the Argentine visual artist and sculptor Blas Castagna (Buenos Aires, 1935).
Hand-colored Symbolic Monotype. Mixed media on handmade Tagesa paper.
Image size: 26 × ...
Category
Early 2000s Symbolist Edgard Maxence Mixed Media
Materials
Monotype, Handmade Paper
$3,068
H 10.24 in W 9.85 in D 0.4 in
Edgard Maxence mixed media for sale on 1stDibs.
Find a wide variety of authentic Edgard Maxence mixed media available for sale on 1stDibs. You can also browse by medium to find art by Edgard Maxence in gold, metal, oil paint and more. Not every interior allows for large Edgard Maxence mixed media, so small editions measuring 18 inches across are available. Edgard Maxence mixed media prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $54,606 and tops out at $54,606, while the average work can sell for $54,606.

