Edouard Garcia Benito Figurative Drawings and Watercolors

François-Maurice Roganeau (1883-1973) Portrait of a young man, 1947 signed and dated lower left Titled Guy Ernoult (name of the sitter) on the upper part 27 x 22 cm in a beautiful f...

Very stylish, unique and original 1950's fashion design, no doubt of Parisian origin. The painting, executed in gouache and pencil, is stamped verso by its designer Claude Monnat. ...

La Traviata - Dancer of the Bohemian Ballet - 3rd Act is a modern artwork realized in 1948 century by Erté (Romain de Tirtoff). Mixed colored gouache on ...

Art Deco Girl with Car Mid-20th Century American Modernism Pin-Up Illustration Arthur Rosenman Ross (1913 - 1981) Deco Girl with Car, 1936 30 x 20 inches Oil on Canvas Board Signed Arthur ‘36 lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

An original Art Deco illustration hand-painted with ink and gouache on paper. The drawing features two elegant women with large windows and drapery in the background. This illustrati...

Costume Design is an original modern artwork realized in 1970s by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower m...

Elegant is a modern artwork realized in the mid-20th Century by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Stamp of the artist Includes frame Provenance : - Erté p...

Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...

La Traviata - Clara - 1st Act is a modern artwork realized in 1951 Century by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on th...

This artwork is framed with non-reflective, UV protection Museum glass. The frame size is 15.5" x 12.75" About this artist: Hugó Scheiber was born in Budapest, Hungary in 1873. His ...

Scaramouche - Pierrette is a contemporary artwork realized in 1979 century by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower margin. Titled an...

Jacques Thevenet (1891-1989) Portrait of a man in the studio Gouache on paper Signed lower right 64 x 49 cm Framed 77 x 62 cm, some damages to the frame as visible on the photographs Jacques Thévenet was born in Montquinon 17 October 1891, in the family’s ancestral home, built by his great grand-father, Auguste Hugues Claude Thévenet, lawyer from Château-Chinon. He had 3 sisters and lost his mother in 1895 when he was only four. His father Louis moved the family to Paris where he run a law practice. Young Jacques studied at the Lycée Carnot and later attended the École de droit of the Sorbonne University. Simultaneously, he attended the Académie Julian, with several painters such as Amédée de la Patellière, Jean Crotti...