Émile Louis Picault Lighting

Handsome patinated brass urn converted into a lamp. Four laurel trees and ten different male and female figures, all in classical dress, in circle the urn which includes a pedestal o...

This is a lovely antique French neo-classical style gilt bronze and black veined marble lamp. It has a urn form with draped gilt bronze floral foliate. It is unmarked and in working ...

19th century Classical bronze seated females on a marble base holding gilt bronze made into lamps wired and shaded.

Pair 19th Century French Empire Ormolu Patinated Bronze Candelabra Lamps. Pair of elegant antique French Empire bronze four light candelabras converted to table lamps. The outstandi...

A high quality and extremely elegant true pair of French 19th century Louis XVI st. ormolu and celadon porcelain lamps. Each pâte sur pâte lamp is raised by an exceptional ormolu bas...

A pair of early 19th century bronze & ormolu candlesticks, having lotus leaf sconces above reeded tapering stems with leaf & berry decoration, raised on leaf & flower decorated circu...

Nicely detailed pair of French Gilt Bronze Bouillotte Lamps. Early 19th Ct. with reticulated bases and tole shades. Matching lamps with three arms. Very nicely detailed bronze work. ...

A pair of early 19th century bronze & ormolu candlesticks, having acanthus leaf sconces above reeded tapering stems supported on well-cast acanthu...

A good quality pair of classical late 19th century bronze lamps, each with raised decoration of children playing beneath swags, vine leaves a...

These are beautiful! This is a pair of French neoclassical style white porcelain lamps with gilt and gilt bronze accents. The wiring is new, and I believe they are signed up inside t...

Bronzed metal lamp in the neo-classical manner. Wonderful example of the 19th Century Neo-Grec style.

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...