Enrich Torres Figurative Paintings

Bay area figurative movement painting of the Archangel looking at Adam and Eve and the serpent standing near the Tree of Knowledge (Life), being expelled from the Garden of Eden; and...

Italian School, circa 1700's Classical figures in landscape oil on canvas, framed framed: 36 x 32 inches canvas: 30 x 25 inches provenance: private collection, UK condition: very goo...

'Place Privee' by Danie Gruau ( 20th Century French School) signed oil on canvas, unframed dated 76' canvas: 15 x 24 inches Provenance: private collection, France Condition: very goo...

I don't know why I made this, but let's go for it, so I have cancer, as most of my friends know, and sometimes it gets really hard to know that the world you've known is just moving ...

Beautiful oil painting of nude study titled "The Red Table Cloth" by Bay Area, California artist Shirley Loyst (American, b-1928), circa 1960. Exhibition...

The Nude Model European School, contemporary signed oil on canvas, unframed canvas: 39 x 39 inches provenance: private collection, France condition: very good and sound condition

Nude Lady Posing for artist on green throw by Josine Vignon (French 1922-2022) ...

"Passion #3" . Composition with Two Male Nudes, oil on canvas, 35.5x19.5in / 90x50cm Part of "Wings of Gods" solo show, April 2024. see pictures from the show. Shipped as it is, stre...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

A beautiful mid century nude figure study of a red haired woman standing with plants by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collec...

Giovanni Riva (Turin 1890 - Turin 1973) - Venice, view of the basin of St. Mark with the Doge's Palace. 18 x 24 cm without frame, 29 x 34 cm with frame. Oil on cardboard, in a cont...

A beautiful mid century figurative landscape study of a nude woman reclining on the shore beside a tree by California artist Genevieve Rogers (America...