Skip to main content

Fernand Léger Landscape Prints

French, 1881-1955

A painter as well as a filmmaker, illustrator, stage-set designer, ceramicist and printmaker, Fernand Léger was one of the most prolific artists of the first half of the 20th century. His early mature work as a Cubist was marked by the use of bold colors and contrasts and a visual vocabulary inspired by industrial technology. In his later career, Léger turned to idiomatic, almost naïve depictions of human figures, in a belief that his work should be accessible to ordinary people and relevant to their lives.

Born in Normandy, the son of a cattle trader, Léger worked as an architectural draftsman in Paris while studying art. By 1908 he was a member of an artistic circle that included Marc Chagall, Robert Delaunay, sculptor Jacques Lipchitz, and the poet Guillaume Appolinaire, and through them he became connected to the Cubists. As opposed to the flat planes and neutral hues seen in the paintings of Pablo Picasso and Georges Braque, Léger’s Cubist abstractions were devised with vivid colors and forms that had dimensionality. Soon after his army service in World War I — he was gassed at the Battle of Verdun — Léger entered his “mechanical” period. Convinced that technology would improve the human condition, he painted compositions of tubular shapes and cylinders that are reminiscent of machine parts. In other work, Léger sought to capture the bustle and brio of modern life with references to railroad stations, factories, street signs and billboards.

Léger had also emerged from the trenches with a deep concern to make his art engage the sorts of men and women he had met during the war. He sought to bring his work to a wider audience through film, theater sets and book illustrations. In the 1920s, influenced by Purism — a variant on Cubism that promoted a simpler and more direct approach to forms and compositions — Léger produced a series of paintings depicting everyday objects: a soda siphon, an accordion, a guitar and vase. The human figure returned to his work. By 1930, pure abstraction disappeared almost completely from Léger’s art in favor of simple studies of people. Their boldly outlined forms, placed against a bright background, can be regarded as an assemblage of parts — yet in these representations of dancers, acrobats and folks on bicycles, Léger seems to be articulating a kind of kinship and affection. You will see from the works on offer why Fernand Léger is often regarded as the warmest and most humane of the great modern artists.

Find a collection of original Fernand Léger art today on 1stDibs.

to
39
34
1
10
Overall Width
to
Overall Height
to
41
1
127
184
169
147
131
45
2
43
39
6
36
21
21
16
16
14
9
4
4
3
3
3
3
3
2
2
2
2
2
2
45
39
6
Artist: Fernand Léger
The city, The train station - Original lithograph, HANDSIGNED, 1959
By Fernand Léger
Located in Paris, IDF
Fernand Léger The train station, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 92, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 92 (Plate 92), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 106, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 106 (Plate 106), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Water, from Verve, Revue Artistique, 1937
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, originates from the 1937 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1937. This vibrant composition embodies Leger’s fascination with the elemental forces of nature reinterpreted through the lens of modernity. L’Eau reflects his ongoing exploration of the harmony between mechanical precision and organic movement, transforming the natural motif of flowing water into an abstract symphony of curves, color, and rhythm. Through its interplay of form and line, the work reveals Leger’s mastery of balance and visual dynamism—an artistic celebration of motion and modern life. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the superior craftsmanship of the Mourlot Freres atelier, celebrated for its collaborations with the leading modern artists of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, 1937 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1937 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. I, No. 1, published by Editions de la revue Verve, Paris, 1937 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Designed as a meeting point of art, poetry, and philosophy, Verve united the era’s greatest modern artists—including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger—with leading intellectuals such as Paul Eluard and Albert Camus. Printed by the master lithographers Mourlot Freres, each issue was a masterpiece of craftsmanship, presenting original lithographs alongside literary works in a richly designed format. The inaugural issue, Vol. I, No. 1, published in 1937, marked a defining moment in the history of modern art publishing—introducing the vision of Verve as a beacon of artistic collaboration and aesthetic excellence that would shape the visual culture of the 20th century. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger L’Eau, Leger Verve, Leger Mourlot...
Category

1930s Cubist Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 56, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 56 (Plate 56), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

La Fleur (Saphire 120), Société internationale d'art XXe siècle
By Fernand Léger
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Léger, Fernand, and Lawrence Saphire. Ferna...
Category

1950s Cubist Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 34, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 34 (Plate 34), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 93, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 93 (Plate 93), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 29, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 29 (Plate 29), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 63, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 63 (Plate 63), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 69, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 69 (Plate 69), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 49, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 49 (Plate 49), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 111, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 111 (Plate 111), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Paris, Montparnasse - Original lithograph, HANDSIGNED, 1959
By Fernand Léger
Located in Paris, IDF
Fernand Léger Montparnasse, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Paris : Dantzig's street - Original lithograph, HANDSIGNED, 1959
By Fernand Léger
Located in Paris, IDF
Fernand Léger Dantzig's street, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 68, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 68 (Plate 68), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 44-45, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 44–45 (Plates 44–45), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originate...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, The Country Outing, from Verve, Revue Artistique, 1953
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled La Partie de Campagne (The Country Outing), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...
Category

1950s Cubist Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Head and Leaf, from Verve, Revue Artistique, 1939
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates from the 1939 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1939. This striking composition epitomizes Leger’s distinct synthesis of mechanical precision and organic vitality. Tete et Feuille demonstrates his fascination with the interplay between geometry and the human figure—translating natural forms into bold, dynamic arrangements of line and color. The juxtaposition of the stylized head and leaf form reveals Leger’s mastery in uniting abstraction with humanism, a hallmark of his mature modernist vision. Through rhythmic design and rich tonal contrast, the work captures the harmony between nature and the machine age that defined much of Leger’s career. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the exceptional quality of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern masters of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, 1939 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1939 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, published by Editions de la revue Verve, Paris, 1939 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a union of art and literature, Verve featured original lithographs and writings by the foremost artists and thinkers of its time, including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger. Each issue represented a collaboration between artists, poets, and master printers, notably Mourlot Freres, whose exceptional craftsmanship brought color lithography to new aesthetic heights. The 1939 double issue, Vol. II, No. 5–6, is among the most distinguished editions, reflecting both the intellectual vigor and artistic experimentation that defined the pre-war Parisian avant-garde. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger Tete et Feuille, Leger Verve, Leger Mourlot...
Category

1930s Fauvist Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 12, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 12 (Plate 12), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

The city, The Parisian Café - Original lithograph, HANDSIGNED, 1959
By Fernand Léger
Located in Paris, IDF
Fernand Léger The Parisian Café, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

The city, The Viaduct - Original lithograph, HANDSIGNED, 1959
By Fernand Léger
Located in Paris, IDF
Fernand Léger The Viaduct, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25....
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

The city, The umbrellas - Original lithograph, HANDSIGNED, 1959
By Fernand Léger
Located in Paris, IDF
Fernand Léger The umbrellas, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 2...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 37, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 37 (Plate 37), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 36, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 36 (Plate 36), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 79, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 79 (Plate 79), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 60, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 60 (Plate 60), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 47, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 47 (Plate 47), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 76-77, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 76–77 (Plates 76–77), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originate...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 18, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 18 (Plate 18), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 108, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 108 (Plate 108), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 19, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 19 (Plate 19), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 98, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 98 (Plate 98), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 74, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 74 (Plate 74), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 109, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 109 (Plate 109), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 61, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 61 (Plate 61), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 22, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 22 (Plate 22), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 23, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 23 (Plate 23), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 28, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 28 (Plate 28), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 52-53, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 52–53 (Plates 52–53), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originate...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 13, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 13 (Plate 13), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 39, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 39 (Plate 39), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 30, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 30 (Plate 30), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 72, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 72 (Plate 72), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Leger, Plate 100-101, from Circus, 1950
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 98 (Plate 98), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

1950s Modern Fernand Léger Landscape Prints

Materials

Lithograph

Fernand Léger landscape prints for sale on 1stDibs.

Find a wide variety of authentic Fernand Léger landscape prints available for sale on 1stDibs.

Recently Viewed

View All