Fort Makers More Furniture and Collectibles

Moroccan wall hanging made from the silk of wedding bands.

Mid 18th century european Tapestry Fragment. Measures: 1'9'' wide x 2'10'' long. Tapestries make integral part of the Flemish cultural heritage. Most of the tapestries have religious, mythological and historical subjects as well as hunting and harvest scenes. They are known for their high quality and extended use of colors. The oldest ones were made in the 13th century. The most important production centers were Doornik and Arras. These two centers got a lot of assignments of the Dukes of Burgundy. In the 14th century tapestries...

- Exceptionally rare pair of large, Rococo Chinoiserie blue & white cotton bed curtains. Measures: 4ftwide 7ft9"hig. - Chinoiserie was the height of fashion during the Rococo and these hangings would have been a luxury item, making a exotic statement in the bedroom. They have been used as wall hangings for the last 35 years. - From a private collection, purchased 35 years ago from a set of six removed from a Chateau in France. One was purchased by Nina Campbell...

Beautiful late 19th century French embroidery with silk, originally, seat cover element. Take a look at other Bobyrug items! , search by "Bobyrug" !

Bit Map Series 02 by Luft Tanaka Studio A multicolored and visually striking throw blanket / wall tapestry woven out of 100 % cotton yarn. 50" x 60" / 127cm x 152cm (custom sizes available upon request) Reversible. Opposite side has the same design with inverted colors. The Bit Map Series is based on digital “doodles” Luft makes using Kid...

Carolina tree of life is a lush, hand-drawn design which celebrates wild species of the southern states of the Carolinas. The designer is a conse...

USA, late 19th Century “Trip around the world” antique quilt. H 165 x W 175 cm

A lavish sari from India, hand-crafted out of a single piece of silk brocade. Mid 20th Century, circa 1970. Gold Paisley brocade on burgundy / deep red silk, with blue, green and gol...

Bangladeshi quilts, known as Kantha, consist of two to three pieces of cloth sewn together with decorative embroidery stitches. They are made out of Saris and are mainly used for bed...

Wøven into German jacquard looms in one hundred percent cotton with our exclusive patterns, each of our tapestries are finished by hand in the united states. The technique used to cr...

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...

Two rare vintage textiles by Verner Panton (Danish, Gamtofte 1926–1998). Spectrum for Mira - X AG from 1960s. Printed cotton (velvet). The textiles are represented on The Met, New Yo...