Francis Philip Stephanoff Drawings and Watercolor Paintings

France circa 1850 The Bohème artist in his workshop Watercolor on paper 15.5 x 21.5 cm In good condition except a small tear (visible on the photographs) on the upper right border. I...

Machine Age Industrial WPA Era American Scene Social Realism Mid 20th Century Jo Cain (1904 - 2003) Elliot 17 ¼ x 35 ¾ inches Gouache on board, c. 1930s Signed lower left 27 x 46 in...

Signed lower left. Vixseboxse Art Galleries, OH label verso. Exhibited: Thirteenth Annual May Show, Cleveland Museum of Art, Cleveland, OH, 1931 Kae Dorn Cass was born in 1901 and ...

CLAUDE ALLIN SHEPPERSON, ARA, ARWS (1867-1921) Petrushka – Scene from the Ballets Russes Signed l.l.: Shepperson Watercolour over traces of pencil on paper Framed 30.5 by 45.5 cm., 12 by 18 in. (frame size 52.5 by 66 cm., 20 ¾ by 26 in.) Provenance: Richard C Davis...

Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Movers New Yorker published, September 20, 1935 18 X 11 1/2 inches...

"Animated Discourse" WPA Mid-Century American Scene Modernism Realism Figurative. Chris Ritter (American, 1906 – 1976) "Animated Discourse," 19 x 24 (sight). Watercolor on paper. Si...

JOHN GEORGE SOWERBY (1849-1914) Phoebe - The Open Window Watercolour heightened with white Unframed, in mount only 8 by 7 cm., 3 by 2 ¼ in. (mount size 25.5 by 20 cm., 10 by 8 in.) Reproduced: J G Sowerby & Thomas Crane, At Home, Marcus Ward & Co, 1881, p.42. The current work was reproduced in Sowerby and Crane’s 1881 children’s book, At Home, where is accompanied by the following verse: All the morning, all the morning, Sat she till her tasks were done; While without were birds and blossoms, And the pleasant sun. And the leaves in ev’ry rustle, And the birds in ev’ry song:- “Phoebe, Phoebe, are you coming? Phoebe, don’t be long!” Whispered thro’ the open window Gentle breezes, passing by:- “Phoebe, are you coming, Phoebe? Come before we die!” Till the clock, with joyful measure, Struck the hour when work is o’er; Crying “Ponto’” Phoebe vanished Through the open door. Whither sped out nimble Phoebe? She is in the study now; Ponto heard her with she called him, - Answered back “Bow-wow!’ “Ponto, tho’ the birds and garden, Called me all the morning thro’ I had first to do my lessons – So I think should you.” Poor old Ponto! He is longing, Longing for his game of play, And the garden – ah: but Phoebe Has a word to say. “Beg then – beg, sir – do you hear me? No, no, Ponto, that is wrong; Paws up! Steady! Ah, that’s better! Good dog, come along!” John George Sowerby was born into a prosperous Gateshead family of glass manufactures and artists. He inherited the family business, the Ellison Glass Works, one of the world’s largest producers of pressed glass, where he introduced designs inspired by the Arts and Crafts movement. Initially he combined his energies at the glass works with his work as an illustrator and painter of landscapes and floral subjects with a Pre-Raphaelite intensity, strong colours and rich detail. He exhibited many of these paintings at the Royal Academy. In the 1880s he collaborated with Newcastle artist, Henry Hetherington Emmerson, on illustrations for the children’s books Afternoon Tea (1880) and The May Blossom (1881). Although were critically very well received but the publications were attacked by Kate Greenaway who considered them too close to her own work. Sowerby then went on to produce highly aesthetic illustrated books At Home (1881) and At Home Again (1883), with decorations by Thomas Crane. Gleeson White, editor of The Studio magazine stated that in Afternoon Tea Sowerby “set a new fashion for ‘aesthetic’ little quartos’ (The Studio, 1897). Roger Dixon in Belfast Publishing (Oxford University Press, 2011, p.79) considered these At Home and At Home Again to be “among the loveliest books ever produced.” Never very wise as a business man, in the early 1880s he left Ellison Glass Works being declared bankrupt in 1884. He returned to the works again as a paid employee. Sowerby’s daughter, Millicent Sowerby...

Edouard Bernard DEBAT-PONSAN (Toulouse 1847 – 1913 Paris) By the Fireside Ink, wash, and gouache on paper 15 3/8 x 15 3/4 in 39 x 40 cm Monogrammed lower right “DP” Provenance Private collection, France This work is a preparatory study related to the artist’s painting Before the Ball...

JOHN DRONSFIELD (1900-1951) Stage Set Design with Shields Signed l.r.: Dronsfield Watercolour and pencil Unframed, in mount only 38 by 36 cm., 15 by 14 in. (mount size 51 by 49 cm...

"Good Health Week" American Scene Modern Social Realism Double Sided WPA Era Jo Cain (1904 - 2003) Good Health Week – double sided 13 3/4 x 20 1/2 in...

NURHAN GOKTURK is an artist and urban designer. Born in Istanbul, Turkey, Gokturk immigrated to New York City at the age of three. Raised in Queens and Brooklyn and educated in the p...

Beautiful neoclassical style artwork by the great Italian artist Vittorio Pisani Probably depicts a theatre script of Aida Signed, located and dated lower right ‘Vittorio Pisani roma...