Francisco Rebajes More Furniture and Collectibles

Wonderful late 1970s men's or women's vintage Mexican Sterling Silver artisan signed belt buckle in the form of a stylized dragon. Marked Mexico, artist initials, TM-12 and 950 , whi...

3-766 Hand made brass and onyx sail boat.

Wonderful abstract bracelet cuff. All in sterling silver haute couture - iconic. This piece is not only a ready to wear creation but also the most dynamic piece of modern sculpture. ...

Intricate carving of a green-eyed man entwined with a snake. The snake eyes are rubies. The back of the piece feature carvings of leaves, representational of the fall harvest. The Green man is believed to symbolize the cycle of life, death and re-birth. The symbol of godhood within the male and its relationship with the transcendent life force our goddess, the female expression of divinity. He is a Pagan symbol who heralds spring after a long winter and the renewal of lush vegetation. Signed and stamped 925...

A selection of Modernist Sterling Silver Bracelets, American, circa 1950's. The bangle and the cuff with the semi-precious stone we...

A brooch in gilded bronze by French art jeweler Line Vautrin circa 1950s-1960s. The unusual model depicts the mathematical sign of infinity, on which appears in relief inscription of...

Modernist rosewood and sterling silver crucifix / cross by Taxco of Mexico, circa 1970s. The piece measures 6.25"W x 1"D x 10"H and is in very good vintage condition. It is signed on...

A modernistic sterling silver brooch by William Spratling from the first period 1940-1944. Made in his studio in Taxco, Mexico. The brooch features an abstract woven motif within a b...

Modernist Hopeakuu (Silver Moon) Sterling Silver Pendant, designed by Tapio Wirkkala for N. Westerback Jewelers, Finland, circa 1970s. Measurements: 3.5" H x 2.5" W x .125" D. It has...

A vintage sterling silver brooch from the workshop of Hector Aguilar (1905-1986) in Taxco, Mexico, circa 1940s. The double V design feat...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi, Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A gilt bronze brooch in sculptural form called Le Char de la lune (The Chariot of the Moon) circa 1945-1955 by French Art Jeweler Line Vautrin (1913-1997). A long pin on the back and...