François-Raoul Larche Bowls and Baskets

Silver German pair of centrepieces / centerpieces made by Bruckmann & Sons (Germany). Art Nouveau (made circa 1900) Silver 800 branded by German Crescent with Crown Manufactory: Eagle Mark of Bruckmann & Soehne (= SONS), Heilbronn (Germany) Peter Bruckmann (1865-1937) was the first Chairman of the Deutscher Werkbund (founded 1907). Size: Height 18.5 cm ( 7.28 inches) Width 22.5 cm ( 8.85 inches) Depth 19.5 cm ( 7.67 inches) Total weight: 940 grams / 33.08 OZ / 30.22 troy ounces Specifications: Excellently manufactured pair of silver centrepieces / stands / holders: Each of the reticulated oval bowls are based on four slim as well as concave supports which are attached to round base: Edge of these bases is of reticulated type, too. The bowls' corners are decorated with lockets framed...

Sculptural and functional, this set of three stackable bowls crafted from natural travertine stone is a refined addition to any interior. Designed with a minimalist, conical silhouet...

Set of 3 in Art Nouveau decorated pieces one washing bucket, wash bowl and bucket on a wooden display. Painted in soft green with dancing children and animals depicted. Children's to...

Francois Raoul Larche (1860-1912) LA SEVE or Métamorphose de Daphné Gilt Bronze Art Nouveau Sculpture Cast, Gilt Bronze or Marble base France, c. 1900, Signed "Raoul Larche," number...

Model #2 Eduard Stellmacher and Co, Porzellanfabrik und Kunstkeramische Industriewerke Driven to establish a new company that produced luxury porcelain and ceramic items based on his own aesthetic aspirations, Stellmacher left Amphora when the workshop was at its most prosperous, in 1904. Together with entrepreneur Karl Frank, who provided the financial backing, he founded Ed. Stellmacher & Co. in Turn-Teplitz in 1905. From the outset, Stellmacher worked hard to achieve a major position among other high-end ceramic art producers. He believed the success of the company would depend on his products of “appropriate methods and unerring quality, perfect from both the technical and artistic sides”. Stellmacher based his first collection on artistically progressive products, pieces he believed would be in high demand. The greater part of the designs were either large vases complemented with sculptures of fantastic dragons or natural animals. With this series, Stellmacher continued the themes he had created for Amphora from 1899-1902, however, his naturalistic renderings of animals was even more elaborately precise. He developed a special ceramic material called refined earthenware, which minimized the shrinkage that was common during firing and allowed for greater preservation of details in the original models. Unfortunately, by 1905, contrary to Stellmacher’s plans, there was little to no demand for objects of this type. Very few pieces exist today as very few were originally produced. Even after redirecting the company to produce commercial goods Stellmacher still could not ward off the company’s demise. By 1910 the Stellmacher & Co. fell into bankruptcy and was liquidated. Art Nouveau Dragon...

Large spectacular Art Nouveau centrepiece attributed to Kayser in Germany, circa 1900. Very impressive, this stunning piece gathers all the ...

Kähler Art Nouveau ceramic bowl. Decorated with polychrome glaze in a typical art nouveau pattern. Signed HAK for Herman A. Kähler. Approx. 1900-1910.

A French Art Nouveau bronze Vide-Poche Centerpiece Depicting a Naiad resting by a shell on a rock Signed Auguste Moreau on the rock Three patinas Circa 1900 Auguste Moreau (1834-1...

Raoul Larche (1860-1912) Monumental Inwell vide pouch. 'L'Idée, Allégorie sur un Rocher' A Gilt-Bronze Inkwell, circa 1900 Figural Centerpiece, Inkwell and vide pouch. Gilt-bronze H...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

Model #13 Eduard Stellmacher and Co, Porzellanfabrik und Kunstkeramische Industriewerke Driven to establish a new company that produced luxury porcelain and ceramic items based on his own aesthetic aspirations, Stellmacher left Amphora when the workshop was at its most prosperous, in 1904. Together with entrepreneur Karl Frank, who provided the financial backing, he founded Ed. Stellmacher & Co. in Turn-Teplitz in 1905. From the outset, Stellmacher worked hard to achieve a major position among other high-end ceramic art producers. He believed the success of the company would depend on his products of “appropriate methods and unerring quality, perfect from both the technical and artistic sides”. Stellmacher based his first collection on artistically progressive products, pieces he believed would be in high demand. The greater part of the designs were either large vases complemented with sculptures of fantastic dragons or natural animals. With this series, Stellmacher continued the themes he had created for Amphora from 1899-1902, however, his naturalistic renderings of animals was even more elaborately precise. He developed a special ceramic material called refined earthenware, which minimized the shrinkage that was common during firing and allowed for greater preservation of details in the original models. Unfortunately, by 1905, contrary to Stellmacher’s plans, there was little to no demand for objects of this type. Very few pieces exist today as very few were originally produced. Even after redirecting the company to produce commercial goods Stellmacher still could not ward off the company’s demise. By 1910 the Stellmacher & Co. fell into bankruptcy and was liquidated. Art Nouveau Dragon...

Art Nouveau Zsolnay porcelain green iridescent centerpiece with female figure holding round tray above head.