Franz Ludwig Kiederich Figurative Paintings

MANE-KATZ RABBIS, c. 1935 Oil on canvas 18 H. x 14 W. 1/2 in. (45.5 x 35.8 cm.) Signed PROVENANCE Dominion Gallery, Montreal Christies, New York, November 04, 1982. Lot 177: $11,000 Private Collection, New Jersey, 1982-2021 Estate of the above, 2021. Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and became an early 20th-century artist, known especially for portraits and paintings with Jewish themes. From childhood, he had been influenced by stories of Jewish mysticism, which was reflected in his paintings. He had a peripatetic life between Russia, France, Israel, and America. He first studied art in Kiev at the Beaux Arts Academy, and in 1913, went to Paris where he associated with Chaim Soutine and Marc Chagall and continued his art studies there at the Beaux Arts Academy. During World War I, he tried to join the Foreign Legion but was rejected because he was too short. He went back in Russia again, this time joining the Soviet Revolution but rejected the cause because he was so horrified by Josef Stalin. He worked briefly for the Russian ballets, and in 1921, he returned to Paris where in 1927 he took French citizenship. For the next twelve years, he traveled widely, showing his art work and doing many paintings. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...

Signed lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A sub...

Ozer Shabat 1978-1901 Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s. Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese. Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death. In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris. He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures. He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars. His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum. Select Solo exhibitions 1936 - Nadler Gallery, Haifa. 1943 - The Tel Aviv Museum of Art. 1952 - Artists House, Haifa. 1953 - Bezalel House, Jerusalem. 1955 - Gallery in Geneva, Switzerland. 1955 - The Writers' Club, Haifa. 1959 - Artists House, Haifa. 1960 - Museum of Modern Art, Haifa. 1962 - Museum of Modern Art, Haifa. 1963 - Gallery 220, Tel Aviv. 1968 - The Municipal Museum of Beit Emanuel, Ramat Gan. 1979 - Memorial exhibition marking the first anniversary...

Ignasi Mundó Marcet (1918-2012) - woman in white - Oil on canvas Canvas measures 73x60 cm. Frame size 76x63 cm. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joa...

An outstanding oil painting depicting a portrait of a seated girl sewing. The subtle tones and bright pops of colors are what makes this piece so attractiv...

Frame size 69x60 cm.

Rabbi Portrait, Oil Painting Framed: 37.5 x 26. Canvas: 31.5 X 20 Bears original label verso from Safrai Gallery Lovely Israeli Chassidic Rabbi portrait oil painting, vibrant colorful painting. Hand signed in Hebrew and English. Done in a style similar and influenced by Marc Chagall. Svi Raphaely (also known as Tzvi Raphaeli...

Portrait of a Woman with Teapot and Tropical Plants Striking portrait of a woman at a table with a teapot in a lush tropical setting by San Jose artist R. A. "Bobbie" Dixon (America...

JEAN GABRIEL DOMERGUE French, 1889 – 1962 "JEUNE FEMME AUX FLEURS" Signed & dated "Jean-Gabriel Domergue ´28 " (lower right) With the Atelier stamp on the stretcher and canvas on the reverse Oil on canvas 32 X 25-3/4 inches (81 x 65 cm.) framed: 39-1/2 X 33-1/4 inches (100 X 84 cm.) PROVENANCE Private Collection, Madrid Note: We are grateful to Mr. Noé Willer for confirming the authenticity of this work which is recorded in the archives of the Artist. Painter born in Bordeaux, in 1889 and died in Paris in 1962. He began painting his mother's portraits very soon. He studied at the National Superior School of Fine Arts. The artist considered his teacher and inspiring Degas. Between 1904 and 1907 he joined Fauvism. In 1905 he participated in the "Autumn Hall" and in the "Hall of Independents". In 1907 he presented his 1st individual exhibition at the Vollard Gallery. He specialized in female portraits of Parisian ladies, creating a unique, sophisticated and elegant female portrait prototype that characterized him forever. He played an essential role in the evolution of women's fashion of his time. He designed numerous dresses, hats and accessories for famous designers such as Paul Poiret and Henry Marque It goes down in history as the architect of a new type of woman, thin, with an elegant air, always with style, with unusual elongated necks, with impressive slanted eyes, that seem to look at the world in amazement, perhaps because they express a feeling of freedom towards Society and its norms. With these paintings of women, he showed the world the true French, elegant, beautiful and with a gooseneck. In 1914 he won the Rome Prize. Many celebrities of the time posed for the artist, Josephine Baker, Brigitte Bardot, etc. But although he painted numerous nude actresses...

Given Vincent Van Gogh’s mental state when he painted his September 1889 self-portrait, possibly his last, it would be risky business by another artist to produce his own self-portra...

Bernie Fuchs's painting "Fauve Portrait of Two Women in Blue with Red Abanicos" captures a festive scene of three Spanish women in traditional dress at...

Betsy Podlach (American, born 1964) "Self-Portrait with Pink Hat" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Betsy Podlach ...