Freddy Wittop Mixed Media

Angela Lansbury "Dear World" Original Broadway Costume Design Tony Awards 1960s. Sight size 19 1/2 x 14 1/4. Provenance: Freddy Wittop Estate. In addition to this "Dear World" drawing, the gallery is offering two other Wittop drawings, Carol Channing in the original "Hello Dolly!" red dress and Mary Tyler Moore as Holly Golightly from "Breakfast at Tiffanys." BIO Wittop was born in Bussum, the Netherlands, on July 26, 1911. Wittop moved with his family to Brussels where he apprenticed at 13 years of age with the resident designer at the Brussels Opera. Moving to Paris in 1931, Wittop designed for the Folies Bergere and other music halls, creating hundreds of costumes for chorus as well as stars Mistinguett and Josephine Baker. Wittop studied Spanish dance and in the 1930s began a professional dancing career in Paris that led to international acclaim as he and his first partner, the famed Argentinita appeared world-wide. He also toured with Pilar Gomez, Jose Greco, and Tina Ramirez. Wittop started designing for the Ice Capades in 1942, the same year he created costumes for George Abbott's musical Beat the Band. By 1949 Wittop was desiging costumes for The Latin Quarter Night Club Revue. Harold Clurman's revival of Shaw's Heartbreak House with Maurice Evans brought Wittop significant acclaim and was followed by the successful Carnival with Jerry Orbach and Anna Maria Alberghetti, followed by Subways Are For Sleeping for David Merrick. In 1964, Wittop won the Tony Award for Best Costume Design for Hello Dolly, starring Carol Channing. Subsequently, he was nominated five additional times for Best Costume Design for The Roar of the Greasepaint, The Smell of the Crowd; I Do! I Do! with Mary Martin and Robert Preston; The Happy Time with Robert Goulet; A Patriot for Me; and Lovely Ladies, Kind Gentlemen. After an eleven-year retirement in Ibiza off the coast of Spain, Wittop returned to New York City to design costumes for The Three Musketeers. Wittop retired again in 1986 to Tequesta, Florida, although he made frequent trips to Athens, Georgia, where he held a position as adjunct professor in the school of drama at the University of Georgia. Mr. Wittop was chosen as the 2001 recipient of Theatre Development Fund's Irene Sharaff...

Mary Tyler Moore "Breakfast at Tiffany's" Original Broadway Costume Design 1960s Sight size 19 1/2 x 15 inches. Provenance: Freddy Wittip Estate. In addition to this "Breakfast at Tiffany's" drawing, the gallery is offering two other Wittop drawings, Carol Channing in the original "Hello Dolly!" red dress and Angela Lansbury from "Dear World" BIO Wittop was born in Bussum, the Netherlands, on July 26, 1911. Wittop moved with his family to Brussels where he apprenticed at 13 years of age with the resident designer at the Brussels Opera. Moving to Paris in 1931, Wittop designed for the Folies Bergere and other music halls, creating hundreds of costumes for chorus as well as stars Mistinguett and Josephine Baker. Wittop studied Spanish dance and in the 1930s began a professional dancing career in Paris that led to international acclaim as he and his first partner, the famed Argentinita appeared world-wide. He also toured with Pilar Gomez, Jose Greco, and Tina Ramirez. Wittop started designing for the Ice Capades in 1942, the same year he created costumes for George Abbott's musical Beat the Band. By 1949 Wittop was desiging costumes for The Latin Quarter Night Club Revue. Harold Clurman's revival of Shaw's Heartbreak House with Maurice Evans brought Wittop significant acclaim and was followed by the successful Carnival with Jerry Orbach and Anna Maria Alberghetti, followed by Subways Are For Sleeping for David Merrick. In 1964, Wittop won the Tony Award for Best Costume Design for Hello Dolly, starring Carol Channing. Subsequently, he was nominated five additional times for Best Costume Design for The Roar of the Greasepaint, The Smell of the Crowd; I Do! I Do! with Mary Martin and Robert Preston; The Happy Time with Robert Goulet; A Patriot for Me; and Lovely Ladies, Kind Gentlemen. After an eleven-year retirement in Ibiza off the coast of Spain, Wittop returned to New York City to design costumes for The Three Musketeers. Wittop retired again in 1986 to Tequesta, Florida, although he made frequent trips to Athens, Georgia, where he held a position as adjunct professor in the school of drama at the University of Georgia. Mr. Wittop was chosen as the 2001 recipient of Theatre Development Fund's Irene...

Carol Channing "Hello Dolly!" Original Broadway Costume Drawing Tony Awards 1964. Sight size 20 x 15 3/4. Signed lower right. Provenance: Freddy Wittop Estate. In addition to this iconic "Hello Dolly!" drawing, the gallery is offering two other Wittop drawings, Angela Lansbury in "Dear World" and Mary Tyler Moore as Holly Golightly from "Breakfast at Tiffanys." BIO Wittop was born in Bussum, the Netherlands, on July 26, 1911. Wittop moved with his family to Brussels where he apprenticed at 13 years of age with the resident designer at the Brussels Opera. Moving to Paris in 1931, Wittop designed for the Folies Bergere and other music halls, creating hundreds of costumes for chorus as well as stars Mistinguett and Josephine Baker. Wittop studied Spanish dance and in the 1930s began a professional dancing career in Paris that led to international acclaim as he and his first partner, the famed Argentinita appeared world-wide. He also toured with Pilar Gomez, Jose Greco, and Tina Ramirez. Wittop started designing for the Ice Capades in 1942, the same year he created costumes for George Abbott's musical Beat the Band. By 1949 Wittop was desiging costumes for The Latin Quarter Night Club Revue. Harold Clurman's revival of Shaw's Heartbreak House with Maurice Evans brought Wittop significant acclaim and was followed by the successful Carnival with Jerry Orbach and Anna Maria Alberghetti, followed by Subways Are For Sleeping for David Merrick. In 1964, Wittop won the Tony Award for Best Costume Design for Hello Dolly, starring Carol Channing. Subsequently, he was nominated five additional times for Best Costume Design for The Roar of the Greasepaint, The Smell of the Crowd; I Do! I Do! with Mary Martin and Robert Preston; The Happy Time with Robert Goulet; A Patriot for Me; and Lovely Ladies, Kind Gentlemen. After an eleven-year retirement in Ibiza off the coast of Spain, Wittop returned to New York City to design costumes for The Three Musketeers. Wittop retired again in 1986 to Tequesta, Florida, although he made frequent trips to Athens, Georgia, where he held a position as adjunct professor in the school of drama at the University of Georgia. Mr. Wittop was chosen as the 2001 recipient of Theatre Development Fund's Irene Sharaff...