Frederic Gruger Mixed Media
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Artist: Frederic Gruger
"To the Last Penny" Story Illustration, Saturday Evening Post, 1916
By Frederic Gruger
Located in Fort Washington, PA
Medium: Pencil and Wash on Paper
Signature: Signed Lower Right
"To the Last Penny," by Edwin Lefevre and illustrated by Frederick R. Gruger for the Sa...
Category
1910s Frederic Gruger Mixed Media
Materials
Paper, Pencil
Find Mister Earl
By Frederic Gruger
Located in Fort Washington, PA
Signed Lower Left
Illustration for part eleven of "The Flying Fish" by Arthur Somers Roche, Collier's, August 19, 1918.
Category
1910s Frederic Gruger Mixed Media
Materials
Charcoal, Ink, Board
I'll Fill That Old Burglar Full of Holes
By Frederic Gruger
Located in Fort Washington, PA
Signed Lower Right
otes: F. R. Gruger was one of the most admired artists of the Golden Age of American Illustration. His pictures appeared in almost every major national magazine, but he is best remembered for his long association with The Saturday Evening Post. He was the original illustrator of the serializations of Harry Leon Wilson's Ruggles of Red Gap (1915), Booth Tarkington's Seventeen (1916) and Edna Ferber's Show Boat (1926). Other writers whose work he illustrated during his long career include Bret Harte, Owen Wister, Walter D. Edmunds, P. G. Wodehouse, W. Somerset Maugham, Aldous Huxley, John Galsworthy, Agatha Christie, Ring Lardner, Theodore Dreiser...
Category
1910s Frederic Gruger Mixed Media
Materials
Paper, Mixed Media
Untitled
By Frederic Gruger
Located in Fort Washington, PA
Signed Upper Left
Saturday Evening Post 8/9/1924
Category
1920s Frederic Gruger Mixed Media
Materials
Paper, Pencil
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ABOUT THE ARTIST
“Her work reflects the influence of her travels, the residential colors, the simple work habits, the loneliness, and the love and devotion to one’s spiritual beliefs. There is a oneness of artist and concept. Her love of life, despite social barriers and frustrations, is promoted in her work for audiences to witness and accept... Her paintings evoke a spiritual awakening. One is drawn to the intensity of color that prevails and identifies the moods of feasts and celebrations. ...Life is full of anticipation and dedication, of acceptance and hope, of faith and survival. These are all present in the works of Ann Tanksley.”
—Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993.
Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree.
Following graduation from college, she married fellow Homewood native John Tanksley, and the couple moved to Brooklyn, New York. He worked as a photo retoucher in the advertising industry. Tanksley devoted herself to raising her daughters while working as an art instructor before fully pursuing her artistic pursuits. She was an art instructor at Queens Youth Center for the Arts from 1959-62, the Arts Center of Northern New Jersey in 1963, and a substitute art instructor at Malvern Public Schools in 1971. She also served as an adjunct art instructor at Suffolk County Community College from 1973-1975.
Tanksley continued her art education with studies at the Arts League of New York, The New School, the Paulette Singer Workshop in Great Neck, and the Robert Blackburn Printmaking Workshop, where she learned monotype printmaking. In addition to Blackburn and Singer, Tanksley studied with several renowned artists throughout her career, including Norman Lewis (artist), Balcomb Greene, and Samuel Rosenberg (artist).
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A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain."
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Frederic Gruger mixed media for sale on 1stDibs.
Find a wide variety of authentic Frederic Gruger mixed media available for sale on 1stDibs. You can also browse by medium to find art by Frederic Gruger in paper, pencil, board and more. Not every interior allows for large Frederic Gruger mixed media, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Paritosh Sen, Yanieb Fabre, and Ross Tamlin. Frederic Gruger mixed media prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,000 and tops out at $5,900, while the average work can sell for $4,600.