GAN Rugs Center Tables

Gorgeous wooden table designed by Luigi Massoni in the 70's for the fine Italian manufacture Boffi. The table has a round structure completely in fine wood, supported by a single st...

Root table 3 unique table by Jeremy Descamps Unique piece Dimensions: 120 x 75 cm Materials: Belgian burned elm and brass Always attracted to manual trades, Jeremy Descamps wen...

The unique Linley World Map table is hand-crafted by our specialist craftsmen in the UK using over 40 individually selected veneers. The main body of the table is created out of stained Fulbeck walnut in a high gloss finish. The base features elegant nickel stringing. The table’s inlay is a combination of ripple sycamore...

Merging clean lines with warm materials, the faceted geometry of the MiMi square coffee table creates a slender, elegant profile punctuated with painted surfaces that capture light. ...

For your consideration is this high style original 1930s Italian walnut table of good proportions. This table is extremely heavy and oozes quality. The veneers are book paged to the ...

A glamorous thick Lucite table base with a custom carved starburst design glass top. The table was designed by Lion in Frost in the 1980s. The ...

Selfie Central table structure in multi-layer wood covered with bevelled bronze mirror.

An original central table that combines sophisticated construction details with luxurious finishes. A versatile composition with moving arms that offer different possibilities of use. The elegant tops...

"Dolmlod comes from the meeting between a play of reflections and three-dimensional volumes. A transparent mirror case that frames and creates a reflected image, preserving a new rea...

Assembled at 45 degrees, the travertine table Flair, with its geometric lines, it's a refined complement able to add a contemporary appeal to any environment. Fl...

"Dolmlod comes from the meeting between a play of reflections and three-dimensional volumes. A transparent mirror case that frames and creates a reflected image, preserving a new rea...

Low table with a round-shaped table top in white marble and four metal legs from the Parallel Bar series, designed by Florence Knoll and manufactured by Knoll International during the 1950s. Born to a baker, and orphaned at age twelve, Florence Schust grew up in Saginaw, Michigan. Schust demonstrated an early interest in architecture and was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art. While at Kingswood, Florence befriended Eilel Saarinen, whom she would later study under at Cranbrook. Warmly embraced by the Saarinen family, Florence vacationed with them in Finland, enjoyed the company of their accomplished friends, and formed a very close relationship with Eliel’s son, Eero. The connections she made and the skills she developed while at Cranbrook were the foundations of Florence Schust’s incredible design education and pioneering career. With recommendations from Eliel Saarinen and Alvar Aalto, Florence went on to study under some of the greatest 20th century architects, including Walter Gropius and Marcel Breuer in Cambridge, Massachusetts and Ludwig Mies van der Rohe at the Illinois Institute of Technology. In 1941 Florence moved to New York where she met Hans Knoll who was establishing his furniture company. With Florence’s design skills and Hans’ business acumen and salesmanship, the pair, who married in 1946, grew the nascent company into an international arbiter of style and design. Florence also seeded contributions with her friends Eero Saarinen, Harry Bertoia, and Mies van der Rohe. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America. Drawing on her background in architecture, she introduced modern notions of efficiency, space planning, and comprehensive design to office planning. Florence ardently maintained that she did not merely decorate space. She created it. The Planning Unit rigorously researched and surveyed each client — assessing their needs, defining patterns of use and understanding company hierarchies — before presenting a comprehensive design, informed by the principles of modernism and beautifully executed in signature Knoll style. Florence and the Planning Unit were responsible for the interiors of some of America’s largest corporations, including IBM, GM and CBS. As part of her work with the Planning Unit, Florence frequently contributed furniture designs to the Knoll catalog...