Gaspare Diziani Paintings

California landscape painting signed Joseph Bennett. Oil on canvas in carved and painted wood frame. Joseph Hastings Bennett (b.1889 - d.1969) was a pa...

Joseph H. Greenwood (Massachusetts, 1857-1927), "New England Landscape" - Oil on Board, 14.75" w x 12.25" h. Joseph Greenwood, renowned for his evoc...

Joseph Misraki Egypt, born in 1895 “Reclining Nude” Oil on canvas 30 by 40 in. W/frame 39 by 49 in. He was a member of the salon d’Autom...

Joseph Marioni : Blue Paintings, Painting Color, by Howard Yezerski, Joseph Marioni, and Carl Belz. Howard Yezerski Gallery, Boston, MA, 2002. First Edi...

19th century American Portrait of Joseph Stringham (1776-1834) Oil on Canvas Later Giltwood Frame Presenting an exquisite 19th-century ...

This is an absolutely stunning 18th century topographical painting, genre of which known as “veduta”. The crucial role in the development of that genre played Caspar van Wittel or Gaspar van Wittel -known in Italian as Gaspare Vanvitelli...

18th century old masters oil painting attributed to Claude Joseph Vernet, France. View of a Mediterranean port at sunset. Great pi...

Joseph Henderson (Scottish, 1832-1908) oil on canvas Oil on canvas from xix century signed J Henderson with original frame. Painted on canvas under glass....

A 1700`s painting of Joseph with the Child Jesus on his lap, a rare Baroque motif of paternal love. Oil on wood Frame: 47x54 cm Without frame: 27x34 cm

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

Jules Joseph Lefebvre (1834-1912) first came to Vienna when he exhibited at the Vienna World Exhibition in 1873. In 1879 he became honorable member of the Akademie of Fine Arts Vienna and was called to be a member of the jury of the First International Art Exhibition in Vienna at the Wiener Künstlerhaus in 1882. From this moment on, he exhibited regularly in the Austrian Empire until 1902. In 1882, the Austrian Cultural Ministry purchased his portrait of “La Fiammetta”. In 1895 and 1896, the renowned Galerie Miethke exhibited works by him, the painting “Madeleine” from 1876 among them. We believe that this particular work was to be exhibited at the “III. International Art Exhibition” in the Künstlerhaus in Vienna. The stock book of the exhibition clearly shows the entry in the French section of “Le Febre, Jule”, the name of the work “Lorelei” and the sales price of 35.000 Francs. The fact that the price is very high compared to his colleagues (Henner & Vibert 15.000 Francs) and that the frame for this piece was delivered in a separate box suggests that the work was quite large. It was found in a Villa in Vienna’s 19th district. Not only the frame but also the size and quality of the painting instantly beguiles the beholder. The format and the mythological motif of the “Lorelei” are very much in line with other known paintings by this artist. The composition of the oeuvre is also typical of the works of Jules Lefebvre: a central female figurine in a classic Italian pose, one knee slightly in front of the other. The painted rock in the background is also similar to the actual “Loreley” rock wall in Germany near Koblenz. Another beguiling fact is the model itself: in 1880, Jules Lefebvre discovered a young girl at the Hippodrome in Paris. Her name was Marie-Florentine Roger or Sarah Brown...

Ernst Fuchs "Jacob and Joseph" etching Hand signed, numbered, 1763/3000 Edition 3000 copies. Format of display: 18.5 x 16.5cm, on handmade paper 29 x 24cm in glued in passepart...