George Augustus Wallis Art

This drawing represents a lateral view over the Cathedral of Koln that doesn't want to be a faithfull copy from real but It's pervaded with a nostalgic and decadent feeling proper of...

This late 18th-century gouache by British artist John Inigo Richards RA (1731-1810) depicts a picturesque landscape with track, figures and distant cottages. Immersed in the raucous drama of London’s 18th-century theatre scene, Inigo Richards sought solace in the British countryside. As the principal scene painter at Covent Garden Theatre, his bucolic backdrops brought colour and context to numerous plays featuring leading actors. For inspiration, he’d escape to the delights of rural England...

Late 19th century mauve ink drawing on paper of fishing boats at harbour by noted French artist Georges Ricard-Cordingley. The drawing is signed bottom left and carries various annotations and another small sketch. The drawing is presented in a period wood frame under glass with a double card mount. Provenance: This drawing came from the estate of the artist's daughter who had acquired it directly from her father. A charming drawing capturing the scene fishing boats at harbour with extensive detail of the rigging and sails. It seems to be a preparatory sketch as it carries extensive colour and other annotations. There is also a smaller sketch bottom right which shows the boat from a different perspective. The figures are well annotated and Cordingley has achieved great detail but with a lightness of touch. The sketch is even more interesting as it is completed in mauve ink. This was a fashionable and technical innovation at the time as the colour was only 'invented' in the late 1850s. A really interesting, lovely and evocative drawing. Georges Ricard was born on January 30, 1873 in Lyon, son of Prosper Louis Ricard and Georgina Marie Cordingley. He spent part of his childhood in Lyon and Boulogne-sur-Mer. He displayed early gifts for drawing. He lost his father in 1885. He began his training around 1887, becoming a pupil of Jean-Charles Cazin, a landscape painter from Pas-de-Calais and the Côte d'Opale. He then joined the School of Fine Arts in Lyon and remained there from 1888 to 1889. He moved to Paris in 1890, where he studied at the Académie Julian as a pupil of Benjamin Constant, Louis Martinet and Jules Lefebvre. He lost his mother around 1892, went to England to his maternal family and added his mother's name to his name. He embarked for the North Sea with the Royal National Mission to Deep Sea Fishermen and carried out his first studies. In 1894, he met with great success at the court of Queen Victoria. He embarked a second time, in 1895, still for the North Sea and produced numerous studies of waves of clouds, of the port and of portraits of fishermen which he exhibited in Paris and London. He embarked a third time, around 1896, in the North Sea and the Atlantic Ocean with the Société des Travaux de Mer and was shipwrecked in Newfoundland. In 1901, he set up his studio in Boulogne-sur-Mer. He divided his time between London, Paris and Boulogne-sur-Mer and painted portraits and seascapes. He realized the decoration of the casino of Wimereux. He travelled to Australia, where he exhibited from 1909 to 1910. In 1911, he married Suzanne Giraud-Teulon, the daughter of historian Alexis Giraud-Teulon, and had three children, Éliane, Louis and Gabrielle. During the First World War, he was assigned to Lyon as a stretcher...

Mid 19th Century watercolour drawing and watercolour study of a tree by noted Danish artist Thorald Læssøe. The work is monogram signed bottom left and there is an annotation in the ...

Late 19th century drawing on paper of a French marine scene by noted French artist Georges Ricard-Cordingley. Carrying the atelier stamp to the bottom right, presented in modern blac...

Elizabeth Chalmers Lady Cottage in Nottgrove Watercolour on paper Size: H 21 x W 30cm Signed by the artist Please note that insitu images are purely an indication of how a piece may...

This late 18th-century gouache by British artist John Inigo Richards RA (1731-1810) depicts a picturesque landscape with track, figures and distant cottages. Immersed in the raucous drama of London’s 18th-century theatre scene, Inigo Richards sought solace in the British countryside. As the principal scene painter at Covent Garden Theatre, his bucolic backdrops brought colour and context to numerous plays featuring leading actors. For inspiration, he’d escape to the delights of rural England, often sketching in Kent and the home counties. Charming cottages and churches accompany dappled trees and far-reaching views. All brought back to the studio before working up a design. Alongside his ‘day job’, Inigo Richards produced landscapes in watercolour and gouache. His beautifully rendered views capture a pastoral idyll in miniature, each composition rendered with dexterity and fine detail. Note the weight of the figures here, the cattle drover...

This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...

Mid 19th century pastel drawing view of Bellagio on Lake Como by Hercules Brabazon Brabazon. The work is under its original mount and initial signed (HBB) b...

Mid 19th century pastel drawing view of the Chapel Bridge and river Reuss in Lucerne, Switzerland by Hercules Brabazon Brabazon. The work...

The subject illustrated here is one of the moments that mark the centuries-long history of Genoa's glorious Maritime Republic, when the ashes of St. John the Baptist, one of the city...

A delightful rustic scene dating to circa 1800 with the sailor returning to his thankful wife and the domestic idyll of his country cottage. The harbour with sailing ships ferrying c...