George Benjamin Luks Portrait Paintings

Early 20th Century Portrait of Woman Illuminated by Moonlight by Everett Shinn This is a pastel on canvas portrait by Everett Shinn ((1876 - 1953), circa early 20th Century. A softl...

Oil mesures 36x23 cm. Frameless. Restored.

Enrique Montserrat Foj (1935-2022) - Girl playing the flute - Oil Oil on canvas glued to cardboard. Oil measures 46x38 cm. Frameless. Romantic cartoonist, especially for the foreign market, and also a gymnast. Cartoonist linked to Editorial Bruguera and its agency Creaciones Editoriales. She got her start drawing girls' or adventure comics in Stories and the Sissi Graphic Novel Supplement. Much of her work from the 1960s was aimed at the European market for young women's magazines through the Selecciones Ilustradas agency. Anecdotally, he collaborated with Marvel Comics, drawing a romantic comic based on a script by Stan Lee for the title My Love (later republished in Our Love Story), credited there as Enrique Monserratt. He retired from comics in the 1980s to focus on painting. He was also an Olympic gymnast, a member of the Barcelona Gymnastics Center and the Barcino Tennis Club. He was champion of Spain in the third category (1955) and third in the Spanish Artistic Gymnastics Championships (1961). He participated in the Mediterranean Games (1959) and in the Rome Olympic...

Lucien Jonas (1880 - 1947) Men Portrait 1920 Oil on canvas 81 x 65,5 cm Signed and dated bottom right

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...

"Mystique n.1" Portrait Oil Painting 28" x 28 "inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, feminine,...

Serenity, warmth, and harmony are at the heart of Dreamer, a captivating oil on canvas painting that invites reflection and a sense of peace. The work portrays a figure with closed e...

Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...

"Vintage" Portrait Figurative Oil Painting 39" x 39 "inch by Dmitriy Krestniy 2020 ATTENTION: Painting ships rolled in a tube. A look through Dmitr...

Serenity, warmth, and harmony are at the heart of Dreamer, a captivating oil on canvas painting that invites reflection and a sense of peace. The work portrays a figure with closed e...

Miquel Torner de Semir (1938) - Surrealist figure - Oil on canvas Oil measures 46x38 cm. Frameless. Miquel Torner de Semir (1938) Catalan painter attracted by the Middle Ages and I...

Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, until 1985; thence by descent to the present owners While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...