Georges Dussau Abstract Prints

ARTIST: Salvador Dali TITLE: Conquest of Cosmos The Last Comer of The Last Planet MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 27.5" x 39.5" YEAR: 1974...

Created in 2002 as an original color etching, this unique work on paper by David Shapiro is signed, dated and inscribed MP (monoprint) in pencil. The artwork measures 48 ½ x 12 in. (...

Blue Ruthms (Agerup 188) after the 1966 painting, Peinture. Etching with aquatint, 1968 Signed, dated and numbered in pencil (see photos) Edition: 95 (74/95) Plate: 17 1/2 x 21 1/2" ...

Created in 2002 as an original etching, this unique work on paper by David Shapiro is signed, dated and inscribed “AC/MP” (artist’s collection/monoprint) in pencil. The artwork measu...

Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...

Artist: Charles Ross, American (1937 - ) Title: Jupiter 1925 - 1949 Year: 1979 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 100, AP XX Size: 41 in. x 29 in. (104....

Artist: Roberto Matta Title: L'ergofrage (Naufrage du Titanic) from Hom'mere III - L'Ergonaute Date: 1976-77 Medium: Aquatint etching on Japon, signed and numbered in pencil Edition...

KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 13/65 Publisher : L'Œuvre Gravée (Paris) 89.50 cm. x 63.00 cm. 35.24 in. x 24.8 in. (paper) 76.00 cm. x 56...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Aquatint and carborundum, 1969 Handsigned by the artist in pencil Edition : 52/75 Publisher : Maeght, Paris Catalog : [Dupin 492] 74.00 cm. x 59.00 cm. 29.13 in. x 23.23 in. (paper...

Etching, 1960 Handsigned by the artist in pencil and numbered 133/300 Catalog : [Maeght 1039] 65.00 cm. x 35.50 cm. 25.59 in. x 13.98 in. (paper) 47.50 cm. x 34.00 cm. 18.7 in. x 1...