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Godefroy Engelmann Landscape Prints

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Artist: Godefroy Engelmann
Roman Temples and Ruins - Original Etching After G. Engelmann- Late 20th Century
By Godefroy Engelmann
Located in Roma, IT
Roman Temples and Ruins is a vintage offset print artwork on paper, realized after G. Engelmann (1788-1839), in the late 20th century. The artwork is signed on the plate. In very go...
Category

Late 20th Century Modern Godefroy Engelmann Landscape Prints

Materials

Etching

View of Rome - Original Offset Print after G. Engelmann - Early 20th Century
By Godefroy Engelmann
Located in Roma, IT
View of Rome is an offset print artwork on paper, realized after Godefroy Engelmann. Signed on plate. In very good condition. The artwork represents the roman landscape with local...
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Early 20th Century Modern Godefroy Engelmann Landscape Prints

Materials

Offset

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Palazzo dell'Angelo
By John Taylor Arms
Located in Middletown, NY
Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
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The Acropolis, Athens
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Godefroy Engelmann landscape prints for sale on 1stDibs.

Find a wide variety of authentic Godefroy Engelmann landscape prints available for sale on 1stDibs. You can also browse by medium to find art by Godefroy Engelmann in etching, offset print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Godefroy Engelmann landscape prints, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Oliver Hall, R.A., R.E., R.S.W., Léopold Lévy, and Franco Gentilini. Godefroy Engelmann landscape prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $167 and tops out at $223, while the average work can sell for $195.

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