Graham Nickson Art

Painting of Wild Yellow Flowers in Meadow Moorland Landscape by Contemporary British Artist, Angela Wakefield. Art measures 36 x 24 inches Frame measures 42 x 30 inches Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business, filmmaking and the media. PROVENANCE: Ascot Studios...

Navona Square - Rome is an original serigraph realized by Carlo Mazzoni (1922). Hand-signed by the artist in pencil on the lower right corner. Numbered on the lower-left corner. Edi...

There is something compelling about drawings and sketches made by architects. Loose and full of life this delicious little study, made on the spot, beautifully captures the essence of place. Made during one of Patterson's early tours to India it shows the gloriously majestic Palace Museum in Udaipur, Rajasthan, which sits on the highest point overlooking Lake Pichola and the City. The delicate wash of terracottas, pinks and reds offers us the feel of sun on the old stones. India Palace Museum (Udaipur), watercolour & pencil on paper, image 9.5cm x 14cm, framed 21.5cm x 24.5cm, Artist Stamp, signed in pencil bottom left, 1990 Doug Patterson...

HARRY STERNBERG (American, 1904-2001) THOMAS BENTON, 1943. Color screenprint on gray card stock wove paper. Edition of 30. Signed "Benton by Sternberg" in ink, by hand by the artist...

"Nativity" Modernist Landscape Screenprint in Ink on Paper Whimsical modern landscape silkscreen print of the nativity scene by San Francisco, C...

Scorpio is a screen print on grey paper realized by Sergio Barletta in the 1970s.  Good conditions except for some some signs of the time on the margins. Sergio Barletta  (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like“Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, lay-outs, writings and illustrations for Avinews, bimonthly for tour operators and so on. During the eighties he starts a long co-operation with satirical weekly “Il Sale”, complemented by a book with Ottaviano edizioni in Milan and others publications in Turin and Rome, all of satirical drawings. In this period he collaborates with Linus, the most important Italian comics monthly, and Harakiri, a humour weekly published in France. Personal and group exhibitions of paintings, collages, drawings, photographs: Galleria Marino – Roma, 1965 Galleria Levi – Milano, 1966 Galleria Petronio – Bologna, 1967 Galleria d’arte moderna Villa Reale – Milano, 1967 Palazzo Costanzi – Trieste, 1967 Galleria del Naviglio – Milano, 1967 Galleria Marino – Roma, 1967 Galleria Libreria Renzo Cortina – Milano, 1968 Galleria Libreria Renzo Cortina – Milano, 1969 Society Art’s Club – Messina, 1970 Galleria Marino – Roma, 1970 Galleria Libreria Renzo Cortina – Milano, 1972 Galleria Marino – Roma, 1972 Galleria Il Diaframma – Milano, 1973 Galleria Libreria Renzo Cortina – Milano, 1974 Galleria Il Ventaglio – Firenze, 1975 Galleria Marino – Roma, 1975 Palazzo Gonfalonieri – Milano, 1976 Bedford House...

Harry Shokler used serigraphy to great advantage in this landscape. It's colorful and detailed. It is signed in the image at the lower left. When printmakers began making serigraphs...

Original poster: For a Country Where We Are Still Masters of Our Own Destinies, Let's Be Truly Thankful. Silk-screened patriotism. This is a poster meant to appeal to the American family. Soft, rich colors and a patriotic vision... This poster has been archivally mounted on linen and is in fine condition condition. Touched up pin-holes in the corners. A- condition. The Original Think American, USA World War 2 Poster is a captivating piece of history and art. This vintage poster showcases a unique design that captures the era's essence. It features a pilgrim couple gazing out to sea towards their three-master schooner, representing America's pioneering and adventurous spirit. The outline of the United States is a powerful symbol of national pride and strength. The large text along the bottom of the poster delivers a thought-provoking message, reminding viewers to be grateful for the country where they can shape their own destinies. Created and printed by Think America, a renowned brand, this poster is a true collector's item that celebrates American history and values. The ghosted image of early Pilgrims seems to reach out to the American family who are standing on an outline of the United States. The old sailing...

Takesada Matsutani (Japanese, b. 1937) Propagation-L, 1971 Screenprint in colors Edition 51/75 28 x 27 inches 28.25 x 27.25 inches, framed Takesada Matsutani is a Japanese avant-ga...

'Monywa II', watercolour on paper, (2003) by Burmese artist, Than Aung. Monywa is a region in Burma-Myanmar on the east bank of the River Chindwin. This...

Stamped, verso, with certification of authenticity for 'Marion Cunningham' (American, 1908-1948) and created in 1948. Paper dimensions: 17.75 x 16 inches A substantial and rare, mid-century silkscreen showing a Samoan family seated beneath a traditional tent of tapa cloth and being served by a young woman. To realize this complex work, Cunningham used as many as one dozen hand-drawn screens, each of which varied in pigment, hue and opacity. Created during the extraordinary creative ferment that characterized the last year of the artist's life, this work represents a remarkable achievement for both artist and medium. Born in Indiana, Marion Osborn Cunningham moved to California in 1911. She first studied art with the American Impressionist, Ruth Heil Emerson, before continuing her education at Santa Barbara City College and receiving her Bachelor of Arts from Stanford University. She subsequently furthered her studies at the California School of the Fine Arts and at the Art Students League in New York City, where she met and married the American abstract artist Ben Cunningham. Returning to San Francisco...

SAUL STEINBERG (American 1914-1999) Via Air Mail Geometric Design Lithograph. Sheet: 21 1/2 x 28 inches; Frame: 22 1/4 x 29 inches. Plate signed and dated l/r with sticker upper ri...