Guenter Kieser Folk Art

Old art deco poster of the city of Toulouse circa 1940. Designed by Édouard Bouillière and published by Affiches B.Sirven. 79 x 58.5 cm

Selling as a pair - Banner from the Robert Altman's 1976 film Buffalo Bill and the Indians; and Sitting Bull's History Lesson staring Paul Newman. Looks m...

19th Century Paris Magicians Poster on Canvas A rare example of a late 19th century lithograph on canvas Paris magician’s promotional poster. By Effi...

Three-sheet, narrow, vertical broadside, made to advertise Hunt Brothers Circus and Wild West Show ca 1900-1910. With the bold headlines “Buffalo Ranch”...

This original vintage advertisement, taken from the French magazine Femina dated 1952, is a rare and charming piece of fashion history. It is not a reproduction or reprint, but an au...

Silhouette From a traveling cinema 1980-1997 Print on cardboard, wooden backing Dimensions Laurel : 177 x 60 Dimensions Hardy : 186 x 70.  

This WW2 patriotic 'Victory Bonds' poster shows no printers signature, but the original image was done by Bruce Stapleton for the Canadian war effort in app...

Original lithograph poster by American artist Tom Wesselmann. Printed on the occasion of the 1972 games with the imprint copyright "Olympia 1972 GmbH, Printed in Germany". Edition of...

Antique Pfurtscheller wall chart Overall Dimensions: 53" x 56" Chart Dimensions: 50 1/2" x 56 Materials: Paper & Linen.

Set of 4 turn of the century American Lithographic framed prints. Controversial and illustrated in the typical turn of the Century American fashion. A set of four vibrantly coloured lithographic prints, framed in unusual Gothic pine frames. With brass hooks still attached, the reverse clearly show that these images have never been removed or replaced since they would have been framed in the 1900s. Depicting life’s process of the Afro American, from courting to creating a family. We have never seen the like and in this collection/condition, you are unlikely to see the same ever again. Dimensions in inches: H 14.5 x D 11.5 x W 1 Origin: America circa: 1900 - 1920 Condition: Aged Completely solid in structure and form, aged surface as shown with a deep natural patina across all areas. No breaks but the frames and prints are discoloured and faded as you would come to expect of item of this Material and age. The House of Antiques...

Vintage Anatomical Pull Down Chart 'OSTEOLOGY ,GH Michel Company,Black background,amazing color contrast.Beautifully screened printed,linen backed.S...

Filmmaking is a reflection of the culture it arises from, and Bollywood cinema has been forever intertwined with the Indian identity. The posters from the 1970s, especially the 1975 Alakh Niranjan, resonate with a formative period in the evolution of Bollywood, where the socio-political landscape was continuously shaping the narratives portrayed on screen. The film industry began to explore more complex character representations, especially those of women by integrating them as central figures. During this period, Bollywood began to solidify its role as a cultural touchstone that mirrored the aspirations and anxieties of Indian society. The presence of the panther that the actress holds on a leash is not only a stylistic choice; it reflects themes of power, dominance, and the connection between nature and human emotion, frequently explored in the films of that era. In Hinduism (Sanatana Dharma today), Alakh Niranjan is a term commonly used to refer to the Creator. It is also referenced to describe the qualities of both God and the Self, known as the Atman. The word Alakh translates to “that which cannot be perceived or seen,” while Niranjan means “free from blemishes or impurities.” Similar to Ghanaian horror posters that reflect the unique cultural fears and narratives of their society, Bollywood posters...