Hans (Jean) Arp Abstract Prints
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Artist: Hans (Jean) Arp
Soleil recerclé
By Hans (Jean) Arp
Located in Paris, FR
Wood engraving, 1966
Handsigned by the artist in pencil
Publisher : Louis Broder (Paris)
LCD3943
Category
1960s Abstract Hans (Jean) Arp Abstract Prints
Materials
Engraving
Soleil Recercle
By Hans (Jean) Arp
Located in Missouri, MO
Soleil Recercle
Color woodcut, 1966, on wove,
Signed and Numbered ed. 50
Cat. Rais. Arntz
Sheet Size: approx. 22 x 17.5 inches
Framed Size: approx. 24 x 20 inches
Jean Arp was a p...
Category
1960s Modern Hans (Jean) Arp Abstract Prints
Materials
Woodcut
JEAN ARP - SONIA DELAUNAY - ALBERTO MAGNELLI - SOPHIE TAEUBER-ARP.
By Hans (Jean) Arp
Located in Portland, ME
A Rare and important collaboration by four of the leading artists of pre- and post-WWII French artists.
Arp et al, Jean. JEAN ARP - SONIA DELAUNAY - ALBERTO MAGNELLI - SOPHIE TAEUBER...
Category
1940s Abstract Geometric Hans (Jean) Arp Abstract Prints
Materials
Lithograph
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ABOUT THE ARTIST
Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters.
After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’
In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York.
In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’
At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951.
Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’.
An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
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Modern Abstract Woodcut c1928 by John Tandy
By John Tandy
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Previously Available Items
Palette de Nuages
By Hans (Jean) Arp
Located in Fairlawn, OH
As published in Derriere le Miroir, No. 33, 1950 by Maeght, Paris
A rare signed impression, possibly from the deluxe edition of 150 copies signed by the artist. The regular editi...
Category
1950s Hans (Jean) Arp Abstract Prints
Materials
Woodcut
Affiche St. Gallen III [before letters)
By Hans (Jean) Arp
Located in New York, NY
[St. Gallen: Der Galerie. Im Erker, 1966-67]. Color lithograph. One of 69/100 numbered copies on Rives-Butten with the "Succ. Jean Arp" stamp lower right. 22 x 30." This edition is n...
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1960s Modern Hans (Jean) Arp Abstract Prints
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Lithograph
II, 1917
By Hans (Jean) Arp
Located in Fairlawn, OH
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1940s Hans (Jean) Arp Abstract Prints
III, 1918
By Hans (Jean) Arp
Located in Fairlawn, OH
Illustration from the quatro "11 Configurations" published by Max Bill (1908-1994) with text by Gabrielle Buffet-Picabia, illustrated by Jean Arp, and published by Allianz-Verlag, Zu...
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1910s Hans (Jean) Arp Abstract Prints
Hans (jean) Arp abstract prints for sale on 1stDibs.
Find a wide variety of authentic Hans (Jean) Arp abstract prints available for sale on 1stDibs. You can also browse by medium to find art by Hans (Jean) Arp in engraving, lithograph, woodcut print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Hans (Jean) Arp abstract prints, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Will Barnet, Debra Pearlman, and Francois Morellet. Hans (Jean) Arp abstract prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,214 and tops out at $6,000, while the average work can sell for $2,800.