Helene de Beauvoir Prints and Multiples

The Reticent Child (Ex Libris), 2005 Louise Bourgeois Lithograph with embossing in colours, on wove Signed and numbered from the edition of 300 Printed by Martin Kätelhön, Cologne P...

Nancy Spero Art Against Apartheid, 1984 Limited Edition Giclee Print 33 1/10 × 23 1/5 inches Edition of 30 Hand signed and dated on the front by Nancy Spero; unnumbered from the limi...

Judy Chicago Through the Flower, 1991 Silkscreen on Stonehenge natural white paper with deckled edges Publisher: Unified Arts, Albuquerque, New Mexico Signed, titled and numbered on the front; with publishers' blind stamp Frame included: elegantly floated and framed in a museum quality wood frame with UV plexiglass Measurements: Framed 33 inches vertical by 33 inches horizontal by 1.5 inches Artwork Print 31 inches vertical by 31 inches horizontal More about Judy Chicago Born Judy Cohen in Chicago, Illinois, in 1939, Chicago attended the Art Institute of Chicago and the University of California, Los Angeles. Chicago’s early work was Minimalist, and she was part of the landmark Primary Structures exhibition in 1966 at The Jewish Museum in New York. She turned to feminist content in the late 1960s. At this time she changed her last name to Chicago, the location of her birth. Believing in the need for a feminist pedagogy for female art students, Chicago began the first Feminist Art Program at California State University, Fresno, in 1970. The following year, with artist Miriam Schapiro, she co-founded the Feminist Art Program at California Institute of the Arts, Valencia. Womanhouse (1972), a collaborative installation the two artists created with their students, transformed an abandoned building into a house representative of women’s experiences. Chicago is perhaps best known for her iconic The Dinner Party (1974–1979), which celebrates women’s history through place settings designed for 39 important women. The monumental, collaborative project incorporates traditional women’s crafts such as embroidery, needlepoint, and ceramics. Chicago’s work has continued to address themes from women’s lives with The Birth Project (1980–1985) and The Holocaust Project (1985–1993). She is a prolific lecturer and writer, and she has taught at Duke and Indiana Universities and the University of North Carolina at Chapel Hill. Her numerous awards include grants from the National Endowment for the Arts and the Getty Foundation and four honorary doctorates. She currently resides with her husband, photographer Donald Woodman, with whom she collaborates on artistic and teaching opportunities. -Courtesy of National Museum of Women in the Arts Judy Chicago is the subject of a one person exhibition at the New Museum in New York, October 2023. In the age of "Me-Too" and beyond, one of the first self-proclaimed feminist artists...

The Reticent Child (Ex Libris), 2005 Louise Bourgeois Lithograph with embossing in colours, on wove Signed and numbered from the edition of 300 Printed by Martin Kätelhön, Cologne P...

Arla Lucia is an evocative portrait by Indigenous artist Cara Romero. Romero focuses her lens on Native peoples in order to redefine cultural perceptions. ...

Jason Keeley Red Kiss Limited Edition Silkscreen Print Edition of 70 Image Size: H 66cm x W 66cm Sheet Size: H 74cm x W 74cm x D 0.1cm Sold Unframed Please no...

Untitled [Abortion], 2000 Paula Rego Etching with aquatint, on Somerset white paper Signed and numbered from the edition of 100 Printed by Paupers Press, London Sheet: 51 × 39 cm (2...

BOURGEOIS, Louise The Bad Mother, 2004 Edition 3 of 3 PP, aside from numbered edition of 12 Drypoint with handcoloring, signed and inscribed in pencil 17 x 15 in. $12,000

Guerrilla Girls: Vintage original 1989 poster for: Guerilla Girls: Do Women Have To Be Naked To Get Into the Met. Museum? Pictured here is the much i...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

Dorothy Iannone The White Goddess Silkscreen on heavy paper Number 36 from an edition of 50 Edited by Dieter Roth in Düsseldorf this silkscreen is of a very high quality. Seven colors were applied on a cardboard of about 350gr. A large format, for which Dorothy is inspired by Robert Graves' book The White Goddess, published in 1948. It is one of the most desirable multiples of Dorothy lannone. Dorothy Iannone (August 9, 1933 – December 26, 2022) was an American Artist. Her autobiographical texts, films, and paintings explicitly depict female sexuality and "ecstatic unity." She lived and worked in Berlin. The majority of Iannone's paintings, texts, and visual narratives depict themes of erotic love. Her explicit renderings of the human body draw heavily from the artist's travels and from Japanese woodcuts, Greek vases, and visual motifs from Eastern religions, including Tibetan Buddhism, Indian Tantrism, and Christian ecstatic traditions like those of the seventeenth-century Baroque. For the High Line in New-York, Iannone creates a new, large-scale mural installation at 22nd St. Iannone’s mural features three colorful Statues...

Nancy Spero Explicit Explanation 1998 published in an edition of 25. Printed from a type high zinc relief plate. Screen printing was used for the text.