Henrietta Shore Prints and Multiples

Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...

This stunning original lithograph, titled The Passing Parade, is a signed piece by renowned American artist Ila Mae McAfee (1897-1995). Created in the 20th century, the artwork depic...

Camille HILAIRE Ther Sluice Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

Alexander CALDER Flying Colors : Plane under Red Sun, 1976 Original lithograph Printed signature in the plate On light vellum 58 x 83 cm (c. 23 x 33 in) INFORMATION : Calder create...

Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...

Robert Vale Faro, 'Petrouchka's Predicament', color lithograph, 1946, edition 20. Signed, dated, titled, and numbered '115' and '14/20' in pen. A fine, richly-inked impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 1/2 inches), in excellent condition. Image size 21 3/4 x 13 3/4 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed. 'Petrouchka', a ballet with music by the Russian composer Igor Stravinsky and choreography by Michel Fokine, is based on the legend of Russian folklore. 'Petrouchka', a puppet made of straw with a bag of sawdust as his body, comes to life and has the capacity to love, a story conceptually resembling that of Pinocchio. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...

Robert Vale Faro, 'Easter Sunday', color lithograph, 1946, edition 31. Signed, dated, titled and numbered '116' and '17/31' in pen. A fine impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 inches), in excellent condition. Image size 21 x 13 1/2 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...

Little is known about the artist, Edward (Ed) Sacks, although this print may have been made at the Art Students League in NYC. it is a cross between, as the title suggests, a Seated ...

Richard Florsheim created this color lithograph entitled “Glowing City” in 1969 in an edition of 250 pieces. Published by Associated American Artists and printed by Mourlot Press, Pa...

This original lithograph poster, printed by Mourlot and engraved by Sorlier, was produced in 1964 for the French Government Tourist Office in Paris. Referenced as Sorlier #96, it is ...

Animals is an original artwork realized by Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) . Lithograph print, mid-20th Century. Perfect conditions. Jean Lurçat (1892-1966) ...

Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...