Henry Dasson Credenzas

A very good quality 19th century French Boulle serpentine fronted credenza, having shaped glazed doors to either end with shelves within. The central door with classical scrolling fo...

This wooden cabinet is designed in the Boulle style. This style was very popular around the time of Napoleon III. The characteristic of this style is the use of small pieces of wood in furniture, inlaid designs with many different materials: precious wood, precious stones, enamel, ivory, seashells, metal, marble etc. In addition, to express the royal style, the "Boulle" style also uses a large amount of gilded copper on the furniture, such as tiger claw decoration, mirror border decoration, leaf decoration, etc. The main elementsof this cabinet is ebony and turtle shell, with decorative details and gilded legs. This is a pretty prominent highlight in the overall black and gold color scheme. Moreover, the head of a woman is in the middle of the cabinet with waves in her hair and grape vines could be representing the Greek goddes of spring Spring. Surrounding the head are beautiful acanthus motifs incorporated in every layer and surface of the cabinet. Symmetricallly on the left and right side of the head are two identical faces, with one being the lock of the cabinet where key goes. The four corners of the cabinet have blooming carnations to create a feeling of spring coming. The details are collaged, decorated with golden bronze leaves in a classic French style. On the edges of the cabinet are sculptures of two women wrapped around with cloth and leaves. Through it, the author highlights the beauty of the woman's status in the past. On the side panels of the cabinet is placed a gilded face of a man with wings...

Neoclassical Demilune Cabinet, c. 1830 – Elegant Mahogany Credenza This exquisite Neoclassical demilune cabinet, dating to circa 1830, showcases refined European craftsmanship and ti...

This Napoleon III Style cabinet is made of black polished wood, mounted with gilt bronze, inlaid with brass and resting on top is a plate of Belgian black marble. The Napoleon III st...

An Exceptional Late 19th Century Louis XV Style Gilt Bronze Mounted Lacquer Commode By Henry Dasson Henry Dasson A beautiful shaped Rosso Levanto marble top above two long and deep...

19th Century French Renaissance Confiturier ~ cabinet displays an abundance of artful splendor in a relatively diminutive package! Rendered from old-growth indigenous oak, it feature...

Traditional 19th-century Belgian shop counter in richly dark original painted finish. Well-suited as a sideboard or credenza, this robust piece offers a captivating blend of utilitar...

A very fine quality early 19th century, Regency Period, rosewood breakfront side cabinet, or cheffonier, having original marble top over four upholstered panelled doors, enclosing va...

An Exceptional Late 19th Century Gilt Bronze Mounted Louis XVI Style Commode By Henry Dasson Henry Dasson A marble top above a frieze set with three drawers with pierced laurel decoration and ribbon tied foliate wreaths, over three garland-hung cupboard doors each with shelves, flanked by concave corners fitted with a freestanding baluster form column, the sides similarly decorated and standing on toupie feet. Signed Henry Dasson 1879 to the bronze mount on the side and stamped Henry Dasson 1879 twice to the back of the carcass. After the very famous 18th century model by Martin Carlin. Henry Dasson was considered one of the finest makers of gilt bronze mounted furniture in the nineteenth Century. He established a workshop at 106 rue Vieille-du-Temple, Paris, and specialised in the production of Louis XIV, Louis XV and Louis XVI style furniture using the very finest ormolu mounts with the highest quality mercury gilding. In 1871, Dasson purchase Charles-Guillaume Winckelsen business and remaining stock. Dasson exhibited at the 1878 and 1889 Paris Exhibition. He displayed Louis XV and XVI styles as well as pieces of his own modified eighteenth century design. The exhibits in 1878 included a table entirely in gilt bronze, purchased by Lord Dudley. Martin Carlin (ca 1730 – 1785) was a Parisian ébéniste, born at Freiburg, who was received master at Paris in 1766. Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. He set up independently in the Faubourg Saint-Antoine, an unfashionable quarter of Paris, where few of his wealthy clientele would have penetrated. Carlin sold his works exclusively to marchands-merciers such as Simon-Philippe Poirier and his partner Dominique Daguerre, who acted as decorator-designers. It was only through these entrepreneurs that Carlin could acquire the Sèvres porcelain plaques that decorate many of his pieces. His earliest such pieces are datable by the marks on their porcelain to 1766; they followed designs supplied by the dealer Poirier. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings...

A matched pair of 19th century French Louis XVI style double door side cabinets with intricate multi-wood floral motif marquetry and gilt-bronze details. The central oval image area ...

An exceptional late 19th century gilt bronze Mounted Louis XV/XVI Style Exhibition Bureau a Cylindre By Henry Dasson Henry Dasson – Thought to be made especially for Dasson’s stand at the Paris Exhibition of 1889. The rectangular top with pierced three-quarter gallery, above three frieze drawers, with the center drawer opening to a hidden leather book holder...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...