Herbert James Gunn Figurative Paintings

English Impressionist with trees and a farm house, England Keith Arthur Johnson was born at South Pickenham, Swaffham, Norfolk in 1931, son of James Arthur Johnson (9 February 1895-1982), a farmer, and his wife Florence May née Wiles (9 May 1900-1996), who married in the Freebridge Lynn district of Norfolk in 1927 and in 1939 were living at Manor Farm, Tottenhill, Downham, Norfolk. Keith painted from an early age and after attending Fakenham Grammar School, he attended Norwich School of Art from 1946, where apart from general studies, he specialized in fabric design which heightened his color awareness and composition sense. His studies were interrupted by National Service in the RAF after which studied for teacher training at Liverpool School of Art obtaining a National Diploma in Design and an Art Teachers Diploma, also studying various printing methods and Art History attached to Liverpool University. Keith returned to Norwich School of Art for more studies, including life classes and portrait painting and from 1951 went to Lowestoft Art School to lecture in Design classes and teach fabric design, including weaving. Whilst at Lowestoft he met fellow lecturers, Tom Hudson (1922-1997), Jeffery Camp...

Night city. Oil on cardboard, 44,5x64 cm

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

Oil Painting of Camlough Lake in Northern Ireland by 20th Century Modern Artist, Patrick O'Neill Art measures 30 x 20 inches Frame measures 35 x 25 inches A beautiful colourful ...

By the river. Canvas, cardboard, oil, 55.5x70.5 cm

Stunning signed oil on board circa 1920 by sought after French post impressionist painter Victor Charreton. The piece depicts a cottage amongst bare trees with snow...

Charming mid century oil painting of two horses at watering trough by William M. Lemos, Santa Cruz and San Francisco artist (American, 1861-1942), circa 1900. Writing on verso is in ...

Late 19th century French School, unsigned and painted circa 1860. Oil on artist prepared panel. A late 19th century oil landscape, painted in the style of Jean-François Millet, show...

River Scene in County Antrim, Northern Ireland by Contemporary Irish Artist Donal McNaughton. Donal McNaughton was born in the Glens of Antrim, and h...

Anne Diggory (b. 1951) From the Grandstand, Saratoga Springs Racecourse, New York Oil on panel 12 x 9 inches Anne Diggory lives in Saratoga Springs, NY, ...

English Impressionist Coastal landscape, Clippesby, Near Great Yarmouth, Norfolk UK Keith Arthur Johnson was born at South Pickenham, Swaffham, Norfolk in 1931, son of James Arthur Johnson (9 February 1895-1982), a farmer, and his wife Florence May née Wiles (9 May 1900-1996), who married in the Freebridge Lynn district of Norfolk in 1927 and in 1939 were living at Manor Farm, Tottenhill, Downham, Norfolk. Keith painted from an early age and after attending Fakenham Grammar School, he attended Norwich School of Art from 1946, where apart from general studies, he specialized in fabric design which heightened his color awareness and composition sense. His studies were interrupted by National Service in the RAF after which studied for teacher training at Liverpool School of Art obtaining a National Diploma in Design and an Art Teachers Diploma, also studying various printing methods and Art History attached to Liverpool University. Keith returned to Norwich School of Art for more studies, including life classes and portrait painting and from 1951 went to Lowestoft Art School to lecture in Design classes and teach fabric design, including weaving. Whilst at Lowestoft he met fellow lecturers, Tom Hudson (1922-1997), Jeffery Camp...