Herbert List Figurative Photography

''James Dean Liz Taylor Round Up' 1956 GALERIE Limited Edition silver gelatin print A gorgeous candid shot of the movie and style icons James Dean with Elizabeth Taylor on the set ...

Diver, Dortmund, Germany, 1965 by Leonard Freed is a 16” x 20” gelatin silver print, signed and stamped (on back of photo) by the widow Brigitte Freed. This contemporary photograph i...

Derby Spectator A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. (Photo by Hulton / Getty Archive) Silver gelatin fibre print 10 x 12" p...

George Valentine Dureau (1930 - 2014) was active/lived in Louisiana. George Dureau is known for Male nude figure, genre, portrait.

Leonard Freed's stamped vintage (verso), 14" x 11," gelatin silver signed and hand-printed by Freed, Kate Standing, is from the Kate series, 2002. A photographer herself, model Kate ...

Mikael Siirilä Helsinki, Finland, 2020 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil o...

Anthony FRIEDKIN (*1949, America) Woman by the Pool, Beverly Hills Hotel, Beverly Hills, California, U.S.A., 1975 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Editi...

Tanzania Smiles by Justin Creedy Smith 1998 The end of a school day…boys from Stone Town (Zanzibar, Tanzania) on the beach after school. Photo, October 1998. Exquisite giant o...

Deauville, France, 1964 by American photographer Leonard Freed is a black and white contemporary photograph that captures chic style and loving embrace of a couple at the seaside tow...

Untitled, from the series "Every Other Day" from the essay "Zoo-Logos" by Eduardo Muñoz is a black and white photograph depicting a bear in the water, lunging at the camera while bar...

A photograph by Lawrence Schiller. “Robert Kennedy, San Diego” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

A photograph by Andy Warhol. “Jon Gould and Andy Warhol” is a silver gelatin print by American Pop Artist Andy Warhol. The artwork is numbered FL06.00463 and...