Hidetaka Ohno Paintings and Screens

A beautiful, hand-painted oil on canvas depicting river scene in Spring. The background is a gorgeous blush color, with the mountain rocks in rust oran...

Monumental Chinese export twelve-panel red lacquered Coromandel screen of Chinese mythological Daoist character Xiwangmu (Queen mother of the West). Remarkable large scale screen full of vibrant color on incised lacquer...

A beautiful and interesting original antique oil painting signed by the artist A. Michaelis. This is dated from 1937, it is in the impressionist manner. It is beautifully executed...

A Chinese two-panel screen from the early 20th century, with carvings, gilt motifs and calligraphy. Created in China during the early years of the 20th century, this screen features ...

These Indian miniature paintings showcases an elegantly dressed Indian man and a lady, the lady elegantly dressed in a traditional sari and adorned with int...

20th century Asian three-panel screen or room divider in red with palm leaf decoration. Striking crimson red will accent any room. Good vintage condition with age appropriate wear. ...

Chinese Coromandel figural red lacquer 12-panel screen depicting pagoda and landscape scenes, decorative gilt floral border panels, gilt carved lower panels, and reverse side depicti...

Showa Period Japanese Hanging Scroll – Birds and Blossoming Flowers This exquisite Japanese kakejiku (hanging scroll) from the Showa period (1926–1989) is meticulously hand-painted ...

Utamara Kitagawo This is a print I am not sure how to intepret. Its around 15x10 so pretty small. There is a There is a larger Identical one in the Rijksmuseum lacking part of the i...

Anonymous Late 17th Century Battle of Ichi-no-tani & Yashima Dimensions: Each Screen: H. 175 cm x W. 385 cm (69” x 151.5”) This pair of Japanese screens depict two significant battles from the Genpei War (1180–85), as recounted in the Tale of the Heike, a semi-historical epic chronicling the conflict between rival clans for control of Japan, written in the early 1200s. Each screen portrays a single battle through a series of small episodes, framed by gold clouds, landscape elements, and architectural features. True to the style of many screens inspired by The Tale of the Heike, the scenes are rendered in lavish colors and gold, downplaying the brutality of the warfare. Although based on real events, these narratives often glorified and romanticized the heroic feats of the warriors. Viewers at the time would have been familiar with the story’s details, leading to a proliferation of paintings on folding screens inspired by this theme from the late Muromachi to the early Edo periods. On the right screen, we see the Minamoto’s attack on the Taira, who have retreated from the capital, Kyoto, toward the sea. The central building represents the temporary Taira headquarters, where Taira soldiers are holding the young Emperor Antoku. The Minamoto plan to launch a surprise attack from the rear after descending the steep cliff known as Ichi-no-tani, depicted at the top center. This scene highlights the tactical brilliance of Minamoto commander Yoshitsune and the courage of his men. The left screen captures moments from the Battle of Yashima...

Mineral pigments on gold leaf. Signature and seal read: Anei H-eishin Boshun ga, dated: late spring 1766 with a dedication to Okyo (Maruyama).

A set of six chinoiserie panels lacquered in a deep red with accents of gold and teal blue. This work of art depicts a lively scene and intricate det...