Hilda Hellström Furniture

'Biais' steel centre table by Stephane Ducatteau, France, 2010. Signed. All Ducatteau pieces are available exclusively from Decoratum and are to order only. Lead time 6 - 8 weeks pl...

Ornately carved mahogany octofoil centre table with rouge marble top. Turned feet on splayed legs with beaded apron. Upwardly bowed four part stretcher wi...

An Antique Shaped Centre Table by Gillows Constructed in Circassian walnut, with specimen woods inlays, and gilt metal adornments; rising from a castor sho...

A fine Regency period tilt-top brass inlaid mahogany and calamander library center table. Raised on a concave-sided triform base, with well-modelled cast-brass scrolling feet. Also referred to as a monopodium (table). All in excellent condition, well figured, and of very good rich color. Typical of designs by Thomas Hope (1769 - 1831). This form of antique table is also associated with work by George Bullock (1777 - 1818) and George Oakley (circa 1765 - 1841). Refs: A similar table with a leather insert, in the manner of Thomas Hope, circa 1800 - 1805, was sold in London for £39,650 - December 2010. This early 19th century table is reminiscent of the ‘Grecian’ style that the pioneering collector and designer Thomas Hope (1769-1831) popularized in Britain with the publication of ‘Household Furniture and Interior Decoration’ in 1807. Thos. Hope (banker, born 1769, d. 1831) The furniture manufacturer George Oakley (circa 1765-1841) was greatly influenced by Hope’s designs, and produced fashionable furniture in this style, using brass and star inlays similar to our table on offer. The firm’s designs and craftsmanship earned them royal patronage, and Oakley worked for the Prince Regent at Carlton House, as well as supplying furniture and upholstery for The Mansion House and The Bank of England. His work for the Cheere family - of Papworth Hall, Cambridgeshire, UK - is well documented. The reference to Geo. Oakley relates to a known table of this pattern in calamander wood and brass marquetry of starred-ribbon guilloche, which corresponds to the brass marquetry in a table supplied by Oakley in 1810 to Papworth Hall. Lit: Parker, R. 'History of Papworth Everard...

Fabulous mid-19th century fruitwood centre table in exceptional condition. The round top, with a rich chestnut colour, sits on three scrolling cabriole legs joined together by confor...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A fine quality, elegant and sophisticated antique European oval centre table from the second half of the 19th century. Hand-crafted and carved from solid rosewood, finished in th...

Exceptional circa 1830 Austrian Biedermeier walnut centre table of oval form having exquisite radiant pattern veneer top and single full-length centre drawer above ebonized doric col...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisite pair of RRP £23,400 Ralph Lauren Brook Street Guerid...

This table is an exquisite piece of French antique furniture. The table is covered with beautiful marquetry work and finely-cast gilt bronze (ormolu) mounts. The table features a...

This elegant table was created in France during the Bourbon restoration, following the fall of Napoleon I in 1814. The table is designed in a refined Neoclassical style, which was po...

A fine Marquetry centre table by James Plucknett of Warwick Of rectangular bow ended form, constructed in satinwood, and inlaid with specimen wood marquetry work on the platform; rising from toupie feet, the four finely carved caryatid female supports have a conjoined stylised 'X' form stretcher with a dished bowl at the centre; the apron housing a series of foliate carved entablatures, and the platform extensively inlaid with neoclassical designs of trophies, and floral arabesques. Bearing a label underneath the platform with the makers' name, circa 1890. James Plucknett, having had various partners in his company, operated as a sole trader from 1886-1905, the year of his death. He advertised his work as 'manufacturers of rich carved furniture', trading as 'James Plucknett & Co Art Furniture Manufacturers'. His commissions included The Royal Pavilion for the Royal Warwick...