Imperial Porcelain Factory Vases and Vessels

Fukagawa Hexagonal Imari Porcelain Vase with Factory Silver Collar, Meiji Period, circa 1900 An exceptional Meiji-period Japanese porcelain vase attributed to the Fukagawa studio, f...

Matching Large Japanese Imari Porcelain Vases. 1880 Meiji period. Introducing an exquisite pair of Japanese Imari porcelain vases from the Meiji period, circa 1880. Standing tall at...

A remarkable hand painted Japanese porcelain Imari vase. Classic iron red and cobalt blue on a white porcelain background. Elegant Japanese figures painted all around the center port...

Made by the studio of the legendary Japanese imperial potter Makuzu Kozan (1842-1916), this is a large porcelain vase glazed in a soft yellow color with a subtle gradient, on top of ...

Pair of cloisonne vases designed by Ota Jinnoei. Beautiful pair of small cabinet vases, created in Japan circa 1890, during the meiji Imperial period (1868-1912). These vases has ...

While Napoleon's armies never conquered Russian, French taste did, and in a big way. This pair made at the Imperial Glass Workshop, under the Sponsorship of the Imperial Family would have been at home in a Paris drawing room as easily as in St. Petersburg. The Intense Ruby Red color of the Crystal is created by adding large quantities of gold to the molten glass before the object is created. The resulting color is dense yet full of light just like its namesake the precious jewel. The Dore bronze mounts use motifs taken from antiquity. Likewise, the shape of the handles is inspired by Greco-Roman amphora...

Pair of Russian Malachite Tazze Imperial Lapidary Works Circa 1830 A magnificent example of early 19th-century Russian craftsmanship, this pair of malachite tazze was created by the Imperial Lapidary Works of Ekaterinburg, circa 1830. These works exemplify the period when malachite emerged as the principal decorative material in Russian hardstone...

An early example of bow’s output, with a smooth, silky glaze. Painted after the Kakiemon with a phoenix, butterfly and various plants after the Japanese; with reserved panels featuri...

A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension. Miyagawa Kozan...

A pair of hand-painted and glazed porcelain bottle shaped vases with figures.

- Large porcelain vase with hand painted flowers - Top is in blue cobalt - The vase was made in manufactory by Royal Bonn.

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...