Jack Brusca Figurative Prints

Original Mardi Gras, New Orleans, 1978 linen-backed poster. Dressed up in what would be an American Indian costume with full headgear, he is holding a shield with a horse on it. Indian decoration on the footwear. Signed and numbered. I believe this has to deal with Big Chief leading his Congo Nation Mardi Gras Indian group. Zulu Parade. Many of the original Mardi Gras jazz posters...

Title: Montreux Jazz Festival 1986 Collaboration by Keith Haring & Andy Warhol Medium: Screenprint in colors on half-matte coated 250 gr paper Printer: Albin Uldry Size: 70 x 100 cm (27.6 x 39.4 in) Signature: Plate signed by Keith Haring & Andy Warhol Open edition Description: This iconic artwork commemorates the twentieth anniversary of the Montreux Jazz Festival and Claude Nobs’s fiftieth birthday. A remarkable collaboration between two New York icons, Keith Haring and Andy Warhol, this piece captures the vibrancy and energy of the festival in bold red and yellow hues. Pierre Keller's ingenious idea brought these renowned artists together for the first time, resulting in a visually striking poster that evokes a sense of Swiss charm...

Leon Bibel, 'Archway', color serigraph, 1939, edition 25. Signed, dated, titled, and numbered ' /25' in pencil. A rich, painterly impression, with fresh colors, on buff wove paper; ...

Published by the Royal Academy

Title: Montreux Jazz Festival 1983 by Keith Haring 1986 Medium: Screenprint in colours on half-matte coated 250 gr paper Printer: Albin Uldry Size: 70 x 100 cm (27.6 x 39.4 in) S...

Artist: Will Barnet, American (1911 - 2012) Title: The Cat Year: 1997 Medium: Screenprint on Arches, signed in pencil Edition: AP Image Size: 16 x 7 inches Siz...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Alphabet Year: 1982 Medium: Offset lithograph on archival paper Size: 36 x 24 inches Condition: Excellent Inscription: Signed in in...

This charming vintage poster commemorated the publication of David Hockney's Six Fairy Tales from the Brothers Grimm. The poster advertises a miniature ...

Harry Shokler used serigraphy to great advantage in this landscape. It's colorful and detailed. It is signed in the image at the lower left. When printmakers began making serigraphs...

Original poster produced on the occasion of James Rosenquist’s exhibition at the Amos Anderson Gallery, organized by Petersburg Press. This vintage poster reproduces the artist’s 1973 lithograph Hey! Let’s Go for a Ride, based on the 1961 painting of the same title. A glistening green bottle top dominates the foreground, behind which a red-lipped woman...

Artist: After Jean-Michel Basquiat (1960-1988) Title: Chateau la Coste Year: 2019 Medium: Offset lithograph exhibition poster on wove paper Size: 23.75 x 15.75 inches Condition: Exce...

Michael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grimes of The New York Times as "a restlessly inventive printmaker, painter, and sculptor." Born and raised in New York City, Mazur attended the Horace Mann School. He received a bachelor's degree from Amherst College in 1958, then studied art at Yale. Mazur first gained notice for his series of lithographs and etchings of inmates in a mental asylum, which resulted in two publications, "Closed Ward" and "Locked Ward." Over the years, he worked in printmaking and painting. His series of large-scale prints for Dante's Inferno won critical acclaim, and were the subject of a traveling exhibition organized by the University of Iowa in 1994. Later he concentrated on creating large, lyrical paintings which make use of his free, gestural brushwork and a varied palette. Some of these paintings were seen in an exhibition of 2002 at Boston University, "Looking East: Brice Marden, Michael Mazur, and Pat Steir." (See also Susan Danly, "Branching: The Art of Michael Mazur," 1997). The Museum of Fine Arts, Boston, has acquired a definMichael Mazur received a B.A. from Amherst College in 1957, studying in his senior year at the Accademia di Belle Arti in Florence, Italy. He went on to earn both a B.F.A. and an M.F.A. from the Yale School of Art and Architecture in 1961. Mazur's first teaching job was at the Rhode Island School of Design from 1961 to 1964. He was awarded a Guggenheim Foundation fellowship for 1964–65. From 1965 to 1976, he taught at Brandeis University, and from 1976 to 1978 at Harvard University. As an artist, teacher, and writer, Mazur has been active in reviving the monotype process. He contributed an essay to the pioneering exhibition catalogue The Painterly Print, published by the Metropolitan Museum of Art in 1980. Mazur recently chaired the New Provincetown Print...