Jan Dingle More Prints

Pencil signed by both Luce and Jacques Villon (Villon etched the image) and numbered 120/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris. Catalogue Raisonne:...

Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...

Artist: Cuca Romley– Spanish/American (1933- ) Title: Country Wedding Year: circa 1981 Medium: Color etching Sight size: 15.75 x 22.75 inches. Sheet s...

Intaglio on Somerset paper, edition of 4 The artwork is shipped unframed. Please message us directly if you are interested in purchasing the piece already framed. Bio // Katie Van...

Lunar Eclipse by John Hogan etching landscape red, brown, black limited edition ACPI © 1999 John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree a...

Full Moon Etching by Robin Tanner (1904-1988), signed by the artist in pencil. Very good, strong impression with excellent contrast. From the edition issued in 1977. Robin Tanner’...

Cloudy Day Prairie II, by John Hogan, New Mexico Landscape Color Etching, blues edition 13/50 matted and framed John Hogan A graduate of Northeast Louisiana State University with a...

"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...

Artist: Cuca Romley– Spanish/American (1933- ) Title: Maple Sugar Grove Year: circa 1981 Medium: Color etching Sight size: 24 x 17.75 inches. Sheet size: ...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), etched by Phillip Gilbert Hamerton after a drawing by Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. This etching is an excellent impression printed on thick chain-linked, laid, deckle-edge paper with wide margins, watermarked with a 2 in the lower left corner. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. The sheet measures 8.75" high by 12" wide. The print is in excellent condition. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...

Etching, 1773. From the Vedute di Roma. Framed dimensions 25.5 x 34.5 inches.

Born in Charleroi, Belgium, Christine Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills that dot the landscape of the ...