Jean Dupas Art

This original English 1960's small panel poster is advertising express coach services to London. This rare poster would have been displayed in travel offices and in coaches or buses ...

Released in 1980, Stanley Kubrick's horror classic "The Shining" stars Jack Nicholson and Shelley Duvall. Based on Stephen King's 1977 novel of the same...

The first woman to win the Turner Prize, Rachel Whiteread is best known as a sculptor and was one of the artsists selected with a number of other celebrated UK artists to create designs for a series of posters depicting events at the London 2012 Olympic...

Original English 1960's coach panel poster promoting holidays to Paris, Brittany, Belgium and Holland in continental Europe. This rare poster would ...

Jean-Michel Folon (1 March 1934 – 20 October 2005) was a Belgian artist, illustrator, painter, and sculptor The first exhibition of his watercolors was in New York in 1969 in the Lefebre Gallery. One year later he exhibited in Tokyo and in the Il Milione gallery in Milan. He also participated in the XXVth Venice Biennale. In 1973 he joined the selection of Belgian artists in the XXVth São Paulo Biennale, where he was granted the Grand Prize in Painting. Over the years his work concentrated on different techniques, including watercolor, etching, silkscreen, illustrations, mosaics, and stained glass, which showed the diversity of his art. His work Ein Baum stirbt - Un albero muore, 1974, is by Museo Cantonale d’Arte [de] of Lugano. He also designed numerous posters, often for humanitarian causes. Around 1988 he created his first sculptures made out of wood. He then moved on to creating sculptures in clay, plaster, bronze and marble, while continuing to paint. Several museums dedicated exhibitions to him, among them the Musée des Arts Décoratifs in Paris in 1971, the Museum Boijmans Van Beuningen in Rotterdam in 1976, the Institute of Contemporary Arts in London in 1977, the Musée Picasso in Antibes...

Alcyon Cycles-Moto is an original lithographic poster by George Farve in very good condition and published Affiches Gaillard-Paris-Amiens. The type under the image reads Nos Bicyclet...

Art Deco signed Print from the Louis Icart era of 'Les Elegantes' Signed in pencil by the artist and Numbered 67 Original print produced for the artist ...

NEW DECO by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on brown colored archival printmaking paper, 100% acid ...

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié. During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others. In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog...

The NME Album of the Year, "Closer" was released in July 1980, just a couple of months after the agonising death of singer Ian Curtis. Regarded as one of the era defining Post-Punk a...

Original French Grande film poster for Sergio Leone's For a Few Dollars More (Et Pour Quelques Dollars de Plus), the second in the classic Dollars Spagetti Western Trilogy. This firs...

Original vintage 1960's coach panel poster promoting travel to holiday resorts in the west of England. This rare poster would have been displayed in...