original woodcut
By Jean (Hans) Arp
Located in Henderson, NV
Medium: original color woodcut. Printed in 1948 and published in New York by Wittenborn and Schultz. Size: 10 x 7 1/4 inches (253 x 186 mm). Not signed.
1940s Jean (Hans) Arp Art
Woodcut
original woodcut
By Jean (Hans) Arp
Located in Henderson, NV
Medium: original color woodcut. Printed in 1948 and published in New York by Wittenborn and Schultz. Size: 10 x 7 1/4 inches (253 x 186 mm). Not signed.
Woodcut
original woodcut
By Jean (Hans) Arp
Located in Henderson, NV
Medium: original woodcut. Printed in 1950 for the art revue Derriere le Miroir (issue number 33) and published in Paris by Maeght. Size: 15 x 21 3/4 inches (377 x 553 mm). There is a...
Woodcut
$292
H 12.8 in W 10.04 in
Paris, Luxembourg Garden - Original wooodcut, Handsigned and numbered /105
Located in Paris, IDF
Emile BOIZOT Paris, Luxembourg Garden - 1920 Original woodcut Handsigned in pencil Numbered /165 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind...
Woodcut
The Sailboat - Original woodcut, Handsigned
Located in Paris, IDF
Edward PELLENS The Sailboat, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...
Woodcut
$1,175
H 13.38 in W 8.88 in
"Mine Shaft", Soviet Union: An Early 20th C. Woodcut Engraving by Abramovitz
By Albert Abramovitz
Located in Alamo, CA
This is a signed woodcut engraving entitled "Mine Shaft" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts two Russian workers constructing a mine sh...
Woodcut
Bando Mitsugoro as a Servant with a Sword
By Natori Shunsen
Located in Fairlawn, OH
Bando Mitsugoro as a Servant with a Sword Color woodcut, 1952 From The Series Shunsen Nigao-E Shu (Shunsen Portraits), Six Woodblock Prints Publisher: Watanabe Excellent condition Im...
Woodcut
Christ on the Mount of Olives
By Albrecht Altdorfer
Located in New York, NY
A brilliant and early impression of this woodcut. Dark, well-inked, with strong contrasts and no sign of wear. From "The Fall and Salvation of Mankind Through the Life and Passion of Christ."
Woodcut
$5,500
H 13.25 in W 16.25 in
Bougival Woodcut Print, Fauvist Style, Signed, Edition 30, 1914
By Maurice de Vlaminck
Located in Fairlawn, OH
Bougival Woodcut, 1914 Signed and numbered in pencil Edition 30, this numberd 22 Printed on laid Van Gelder Zonen paper Published by Henri Kanweiler, Paris Printed by Paul Birault, P...
Woodcut
$875
H 18.5 in W 22.32 in D 1.57 in
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...
Engraving, Woodcut
$475
H 16 in W 20.63 in
"A Game of Lacrosse": A Hand-colored 19th Century Woodcut Engraving by Hall
Located in Alamo, CA
A colorful and attractive hand-colored 19th century woodcut engraving entitled "A Game of Lacrosse" after a drawing by W. H. Hall. It was published in New York in Harper's Weekly on May 10, 1884. It depicts a scene from an intense lacrosse game. This hand-colored woodcut engraving is presented in a red mat that measures 16" high x 20.63" wide. The sheet measures 10.63" high x 15.88" wide. There is a central fold, as issued. The print is in excellent condition. Lacrosse is the oldest sport in North America, possibly originating as far back as the 1400's. The sport was first invented by Native Americans, who originally played it as a means to toughen braves for war or to settle tribal disputes. It was played by between 100 and 1,000 participants at a time. There were no strict boundaries and the game could cover miles and take days to complete. It was very violent with many injuries, which were sometimes fatal. The game was unknown to whites until the 17th century when a Jesuit priest observed Heron Indians playing it. He thought the stick and netting resembled the "crosier" carried by bishops during religious ceremonies, This led to the name "la crosse". A Canadian dentist standardized the rules of the game in 1867 and the 1st college team was created at New York University in 1877. The game gained national attention and popularity in 1956 when the Hall-of-Fame football player Jim Brown...
Woodcut
$1,175
H 23.13 in W 29.5 in D 1.13 in
"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Engraving, Woodcut
$575
H 23.5 in W 29 in D 0.75 in
1870 View of Proposed Brooklyn Bridge and New York City
By Theodore R. Davis
Located in Alamo, CA
This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870. The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition. This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...
Woodcut
Impression B
By Toshi Yoshida 1
Located in Fairlawn, OH
Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...
Woodcut
$875
H 18.5 in W 22.32 in D 1.57 in
Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Engraving, Woodcut
original etching for Paroles Peintes
By Jean (Hans) Arp
Located in Henderson, NV
Medium: original etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. A rich impression with plate tone, one o...
Etching
Composition aux cinq formes
By Jean (Hans) Arp
Located in Greenwich, CT
Hans (Jean) Arp (French/Swiss, 1886-1966) titled : "Constellation de cinq formes" - 1956 Lithograph in colors handsigned by the artist l.l. and inscribed ‘épreuve d’artiste’ l.r...
Lithograph
original woodcut
By Jean (Hans) Arp
Located in Henderson, NV
Medium: original woodcut. Printed in 1950 for the art revue Derriere le Miroir (issue number 33) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 277 mm). There is print...
Woodcut
'Signes' — Mid-Century Modernist Abstraction
By Jean (Hans) Arp
Located in Myrtle Beach, SC
Jean Arp, Signes, woodcut, edition 50, 1949. A fine, black impression, with all the fine lines printing clearly, on cream wove paper; the full sheet with wide margins (1 5/8 to 6 7/8 inches), in excellent condition. Signed and numbered '8/50' in pencil. Matted to museum standards, unframed. ABOUT THE ARTIST Jean Arp was born Hans Arp on September 16, 1886, in Strassburg. In 1904, after leaving the Ecole des Arts et Métiers, Strasbourg, he visited Paris and published his poetry for the first time. From 1905 to 1907, Arp studied at the Kunstschule, Weimar, and in 1908 went to Paris, where he attended the Académie Julian. In 1909, he moved to Switzerland and in 1911 was a founder of the Moderner Bund group there. The following year, he met Robert and Sonia Delaunay in Paris and Vasily Kandinsky in Munich. Arp participated in the Erste deutsche Herbstsalon in 1913 at the gallery Der Sturm, Berlin. After returning to Paris in 1914, he became acquainted with Guillaume Apollinaire, Max Jacob, Amadeo Modigliani, and Pablo Picasso. In 1915, he moved to Zurich, where he executed collages and tapestries, often in collaboration with his future wife Sophie Taeuber (who became known as Sophie Taeuber-Arp after they married in 1922). In 1916, Hugo Ball...
Woodcut