Jean-Marc Louis Furniture

Contemporary New York artist Peter Buchman's "Just another thing hanging over your head." is made of enamel, house paint, pla...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

Sandro Abstract Paint, circa 2017. Manufactured in Spain. Materials: Wood Dimensions: D 3,3 cm x W 10 cm x H 15,9 cm The artwork is in its original condition, showing minor sign...

Abstract oil painting Education 1994–96 MFA, University of British Columbia, Vancouver, Canada 1991–94 BFA, Rockford College, Illinois, USA Solo Exhibitions 2017/18 Landsc...

A monumental acrylic painting on canvas by American artist Marc Ross, 2005. This minimal abstract painting features an impressive gradation of caramel hues, giving it an astonishing ...

An original painting on silk by Winifred Jagger. Upon spending time in Burma, Jagger was inspired by the techniques and vivid colours of local artists which she has developed into her own unique style. Peacock is painted with ink on silk...

The dynamics of transformation is a driving concept and process behind Biagi’s work, in particular, the transformative power of coating everyday objects with layers of viscous tar. With his series of round paintings, the transformative power of tar is explored on its own terms, as the singular materiality of painting. While on one level the minimal yet richly textured tar forms conjure dark themes like voids or black holes, they simultaneously invoke the opposite, their perfect geometric circularity referencing solid presence, totality, and completion. Mattia Biagi was born in northern Italy in 1974 and currently lives and works in Los Angeles, CA. After working under the tutelage of Giulio Cappellini for 11 years, Biagi departed for Los Angeles to launch his career. During a chance encounter with some black tar oozing from the ground at the La Brea Tar Pits...

Ramon Horts, minimalism large metal artwork. Structures of metal compositions made in Barcelona in 2017 for a solo exhibition. Signed by himsel...

A leader of the cross-cultural Craft resurgence, Japan-based artist Toyoharu Kii creates his intricate mosaics with handcut Italian marble and smalti, Venetian glass made by the same Italian family for over 400 years. Using traditional Italian techniques, Kii’s art is nonetheless modern. It is monochromatic, abstract, and highly textured and highlights the involved and technical art...

Abstract Oil Painting Education 1994–96 MFA, University of British Columbia, Vancouver, Canada 1991–94 BFA, Rockford College, Illinois, USA Solo Exhibitions 2017/18 Landscape / Still Moving, Rockford Art Museum Annex, Rockford, Illinois, USA 2017 Life Still / In Motion, Kortman Gallery, Rockford, Illinois, USA 2015 Ljósanótt, Keflavik, Iceland 2014 Umbrot, Kaffi Sólon, Reykjavik, Iceland 2012 Brotinn himinn, Kaffi Sólon, Reykjavik, Iceland 2011 Eins og enginn sé morgundagurinn, Listasalur IÐU, Reykjavik, Iceland 2009 Myndbirtingar, B5, Reykjavik, Iceland 2006 ekki endilega hér / hvergi (possibly nowhere), Gallerí List, Reykjavik, Iceland 2006 In Transit, Galeriazero, Barcelona, Spain 2005 Koma og fara, SPH, Garðabaer, Iceland 2001 flökt (taktur einsemd snerting), Café Prestó, Kopavogur, Iceland 1999 Manngervingar (anthropomorphic), The Labour Unions’ Art Gallery, Iceland 1998 hafið bláa hafið, Gallerí smíðar&skart, Reykjavik, Iceland Group Exhibitions 2016 Ljósanótt, Keflavik, Iceland 2002 Anniversary Exhibition, Gallerí List, Reykjavik, Iceland 1998 Brynhildur Gudmundsdottir & Hekla Gudmundsdottir, Bílar&list, Reykjavik, Iceland 1996 Masters of Fine Arts Graduate Exhibition, Belkin Gallery, Vancouver, Canada 1996 XQXQXQX, Skuggi Gallery, Rockford, Illinois, USA 1995 Invitational Drawing Exhibition, OR Gallery, Vancouver, Canada 1995 Annual Erotic Art Exhibition, New-Era Society, Victoria, Canada 1995 Opening Exhibition, Skuggi Gallery, Rockford, Illinois, USA 1995 Gullnáman, Laugarvatn, Iceland 1995 Heart Art, Rockford College Art Gallery, Illinois, USA 1994 TSYQEOPXHBE, BFA Exhibition, Rockford College Art Gallery, Illinois, USA 1994 Just Another One Night Stand, Rockford College Art Gallery, USA 1993 No Icelandic Conversation, Rockford College Student Art...

Nerugi, 2017 Hydrostone, mirror, sand 19.5” W x 5” D x 64” H $7820 Alison Veit (b. 1989) lives and works in Abiquiu, NM.    She holds a BA in Scul...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...