Jens Jakob Bregnoe Furniture

'Cupid & Psyche' - An important parcel-gilt and patinated bronze figure, by François-Raoul Larche. Signed to the base 'Raoul Larche 1891'. This finely cast parcel-gilt bronze figure depicts Cupid and Psyche with Zephyr. François-Raoul Larche (1860-1912), the son of an ornamental sculptor, was a well-known Art Nouveau sculptor...

A large sculptural ceramic vessel by British potter Alan Wallwork (1931 to 2016). The vessel has a grooved crescent form in neutral brown tones, with...

Handmade blue Murano glass vase with 24-karat gold decorations and inner bubbles. Work performed by Murano artisan Stefano Mattiello. Vase signed with cold engraving by artist. ...

Handmade red Murano glass vase with 24-karat gold decorations and inner bubbles. Work performed by Murano artisan Stefano Mattiello. Vase signed with cold engraving by artist. ...

In classical mythology, Cupid is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the war god...

Glazed stoneware. Unique wood-fired vessel.

Ammonite vessel is a unique steel & moon gold sculptural vessel by the British artist Claire Malet. Created from an oxidised re-formed steel can and hand-gilded on the interior with ...

Empoli Jar with Spike, is a unique art glass jar by British glass artist James Lethbridge. Blown glass with gilding on the inside. The outer layer is covere...

A sculpture of Psyche Revived by Cupid's kiss. After Canova. Beautifully carved in fine statuary marble. Late 19th century.

An outstanding turned hollow form vessel, with a squat spherical shape. Signed 'Ellsworth 1981 English Walnut'.

Psyche revived by Cupid’s kiss. After Canova. Beautifully carved in fine statuary marble. The winged young man who has just landed on a rock where a ...

Striped fold with inclusions I is a unique sculpture by the British artist Steven Edwards, created from colored parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...