Jerelyn Hanrahan Abstract Drawings and Watercolors

Margules, De Hirsh. UNTITLED COMPOSITION, Ink on paper, 1962. Inscribed and signed in pencil within the image. 28 x 37 inches, 711 x 940 mm. In very good condition. Margules (1899-1...

This vintage 1960s abstract painting by renowned New Mexico modernist artist Ward Lockwood (1894–1963) is an exceptional example of mid-century modern art. The original artwork, crea...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Robert O'Meara (American, 1957-2024), Interior Scene, Pastel on Paper, depicting doorway and chair, signed lower left, white painted wood frame. Image: 27" H x 21.25" W; frame: 30" H...

In this abstract floral artwork I experience the world of nature through the bright colors of a summer period. While painting, I sought to capture the beauty of summer flowers whic...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

In my art practice I love to use bright colors which boldly contrast with complementary colors so I could get unusual original compositions and structures. The objective of this ar...

“Old love, new love” Drawing, acrylic, ink and colored pencils on paper. I developed a drawing technique based on natural pigments from leaves, flowers and bark with which I intend t...

In my art practice I love to use bright colors which boldly contrast with complementary colors so I could get unusual original compositions and structures. The objective of this ar...

This landscape painting with vibrant colors such as red, yellow, green, blue named "Capturing the beauty of nature" celebrates my love to the south of france and its blooming and fl...

Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reversed in preparation for engraving 25 × 17.5 cm Watermark: Hunting horn, Churchill 318 (dated 1724) Unsigned Provenance Private collection, France Context & Attribution Trained in the studio of Gérard de Lairesse, Jan Goeree was among the finest Dutch engravers of the early eighteenth century, celebrated for his architectural views of Amsterdam. This drawing is a preparatory study for an engraving of the same subject now preserved in a major public collection. The final print—slightly larger—closely follows the reversed composition of this sheet. Subject In the center of the Gothic nave, five bearers carry a catafalque toward a freshly dug grave—a tribute to the naval heroes often buried in the Nieuwe Kerk. This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life. Technical Analysis Goeree’s use of red chalk for the architecture and ink for the figures reveals his working method: the chalk lines could be used to produce a counterproof restoring the correct orientation of the architecture, while the inked figures remained adjustable before the design was transferred to the copper plate. Place within the Oeuvre Drawings of church...