Joe Zammit-Lucia Photography

Shot by Barry Kramer (1921- 1984), one of the most prolific photographers of his time, captures the essence of 1950's Hollywood movie star, Jane Mansfield...

'Aspens, California' Master Edition (Unique artwork, 1 of 1). Archival photographic triptych . Hand signed and numbered. Unframed. _________________ Late afternoon light in Yosemit...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

'Last Light' Limited Edition Archival Photograph. Hand signed and numbered. Unframed. _________________ Dusk throws on her spotlights, casting deep silhouettes and revealing rich la...

Shot by Barry Kramer (1921- 1984), one of the most prolific photographers of his time, captures the essence of 1950's Hollywood movie star, Jane Mansfield...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. Anne Valverde's photograph "Endless" captures the essence of an infinite desert landscape, stretching far beyond the bounds of the frame. The scene is one of stark, natural beauty, dominated by the sweeping dunes and scattered stones that pepper the sand. The neon text 'endless' is inscribed onto the barren desert floor, resonating with the boundless view. The composition of this image is striking in its simplicity and scale, with the gradation of light hinting at the vast expanse of space and time encapsulated within the desert's embrace. The text itself, a human-made construct, contrasts with the timeless and untouched environment, yet it seems to belong there, highlighting the desert's relentless continuum. The photograph, with its subdued tones and soft light, evokes a sense of solitude and introspection. It encourages the viewer to ponder on the concept of eternity and our place within it. The desert is a metaphor for the endless possibilities and the enduring passage of time, a place where one can lose themselves in the horizon that stretches into infinity. "Endless" is not just a visual representation of a desert; it is a reflection on the vastness of nature and the human spirit. Valverde's work prompts a contemplative state, a meditation on the unending cycle of life, and the awe-inspiring scale of the natural world. It is an invitation to explore the depths of our own thoughts and the ceaseless nature of our existence. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

Araquém Alcântara Giraffes, Tanzania, Africa, 2012 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 A...

Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. Medaglia d'Oro - 'Whiskers' by John Reardon...

Slickly was a world champion miler and leading French sire. Series: Studio Portraits, Slickly - 'Mane', 2009 by John Reardon Archival Pigment Print on Ha...

"WH2" Photography 48" x 84" inch Edition 1/6 by Giuliano Bekor From WILD HORSES series Archival exhibition Giclee Baryta print Not framed. Ships in tube. WILD HORSES series A man, it is said, never forgets a great horse, nor the horse a great man. Put the thoroughbred, the draft horse, the Lipizzaner stallion, and the wild Mustang, into the same coral, and they act as equals – no blinders, no misery, no slavery. Man, though, must harness and lash the horse. In becoming the horse – wearing his mane, strapping on his saddle, chomping on his bit – his civilized skin peels away. A terrible beast is let loose. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...