John Henry Hill Drawings and Watercolor Paintings

Serene 1920's watercolor landscape of calm water snaking through a lush marshy wetland, dotted with small birds, wildflowers and swaying grass, by an unknown artist (American, 20th C...

We are delighted to offer a captivating watercolor by the American artist Hugo Anton Fisher (1854–1916). This serene composition depicts cows drinking at the edge of a calm body of w...

This is an exclusive handprinted limited edition cyanotype. Lovely scene of a hidden pond in a Scandinavian forest. Details: + Title: Scandinavian Enchanted Forest + Year: 2024 + ...

This stunning, original signed landscape painting by Charles Partridge Adams (1858-1942) captures the breathtaking beauty of a Colorado sunset along the Front Range, near Denver. The...

Rare 19th Century Watercolor and Platinotype -- Coming Home Wonderful and rare 19th Century watercolor and platinotype (Watercolor over Platinum photograph) attributed to Edward Lamson Henry...

Signed lower right, 'Arthur Parton' (American, 1842-1914) and painted circa 1885. This notable Hudson River School painter first studied under William Trost Richards, from whom he gained a grounding in the technical aspects of his craft, and, subsequently, at the Pennsylvania Academy of Fine Arts. While in Philadelphia, he began to exhibit with success and, in 1864, moved to New York where he continued to exhibit before leaving for Europe in 1869. In France, he was influenced by the works of the Barbizon painters and then furthered his studies in Paris and London (1870) before continuing to Scotland (1871). Upon his return to America, he would go on to establish himself as a major figure in the art world, maintaining a studio at 51 West 10th Street from 1874 to 1893. Best known for his landscapes of the Adirondacks and Catskill Mountains, Parton also painted in England and Scotland. During his career, he explored several styles including Tonalism and Impressionism, but remained closely influenced by the Hudson River style including Luminism. Parton was a member of the American Watercolor Society, the Artists Fund Society and, from 1871, the National Academy of Design, becoming a National Academician in 1884. Parton exhibited widely and with success including at the Corcoran Gallery of Art (1907-1908, 1910), Brooklyn Artists Association (1866-85), Philadelphia Centennial Exposition (1876), Boston Art Club (1882-1909), New York City (1886 gold medal), Pennsylvania Academy of Fine Arts (1889 Temple gold medal, 1891, 1896-97, 1905), Paris Exposition Universelle (1889 honorable mention), St Louis Exposition (1904 medal), the Art Institute of Chicago and, for more than 50 years, at the National Academy of Design (1862-1914, 1896 prize). Parton gained widespread recognition after his painting of the Shenandoah River (1872) was published in William Cullen Bryant...

Watercolor on paper sold with frame (wooden frame with glass) Total size with frame 33x43 cm

India ink and watercolor landscape in black done with expressive, linear brushstrokes featuring tall redwood trees with cabin windows peaking through the ...

Classic mid-century California seascape watercolor of the crashing surf on the rocky coast by Santa Cruz, California artist Margaret E. Rogers (American, 1872-1961), c.1950. Rogers was one of the original "Jolly Daubers" who studied with Frank Heath and took wagon trips to the redwoods and Yosemite to paint. Signed "M.E. Rogers" lower right. Presented in a rustic giltwood frame under glass. Image, 16.5"H x 18.5"L. Margaret Esther Rogers' (1872 - 1961) early childhood was spent in England. The Rogers were a cultured family who came to California for the father’s health and settled on a ranch in the King City area. Margaret grew up in the curiously paradoxical world of early California, breaking her own riding horses and roping cattle during the day, doing a man’s work, riding a man’s saddle, then sitting down to the piano to play classics in the evening after high tea. Margaret’s mother had the only piano for 80 miles around. Her father, Robert J. Rogers, had been an importer of fine tea, coffee, and spices in England. In Monterey County, he raised sheep and cattle and the family lived under comparatively rustic and modest conditions. When Margaret wasn’t riding, tending a herd, plowing a field, or playing the piano, she was painting. Art was an early love. Fame caught up with her early. She was written up in a San Francisco newspaper as “Monterey County’s pretty girl who rides a man’s saddle, marks and brands stock, breaks wild colts, plows and sows, plays classical music and paints in oils.” Margaret’s mother was her first music and art teacher; later she took art lessons from Kate Baldwin in Salinas. She had suitors and several proposals, but never married. In the year 1898, Margaret’s “intended” put in 700 acres of grain, spending all he had plus money he borrowed. Not a spear of grain grew, she wrote, and their plans to marry when the crop was sold dried up with the weather. When her mother died, Margaret and her father moved to Soquel, taking along her favorite saddle horse. Now living in Santa Cruz County, Margaret at once became involved in art circles which were unofficially headed by Frank Heath and his wife, Lillian Dake Heath. Frank Heath and Margaret together founded Santa Cruz Art League in 1919, and a few months later were joined in their efforts by a Dutch woman named Cor de Gavere who arrived in Santa Cruz. The two women artists, Margaret and Cor, became fast friends and remained so until Cor’s death in July 1955, while she was visiting relatives in Holland. They painted together almost every day and shared many meals at each other’s cottages which were just a few blocks apart in the Seabright area. However, those Victorian ladies, raised in the era of rigid social conventions, always addressed each other as ‘Miss Rogers’ and ‘Miss de Gavere’ as long as they lived. Money was never in great supply for either lady, but Cor managed to buy a small automobile, and after six driving lessons the two of them took off for southern California. Cor and Margaret took many camping and painting trips in Cor’s automobile. Sometime later, Margaret herself got brave enough to buy an auto. From 1925 to 1947, Margaret made her home in the basement of the Arts and Crafts Building. She managed the Art League’s first gallery, which was started there. Holding informal court for friends who called, Margaret would open a can of sardines, put out a plate of crackers, and conversation about art or music would follow. During World War II, Margaret raised rabbits in cages. In later years, Margaret purchased a small studio-home on Alhambra Street – still in the Seabright area, which both women clung to as home territory. In 1929, Margaret helped found the Art League’s first Statewide Show, which became an annual event. She served as show chairwoman for more than 20 years. A fine painter of landscapes, Margaret became better known for her strong marine scenes. Once she explained that the ocean was “the real challenge, because it won’t stand still.” She served as president of the Art League from 1925 to 1947. Short, stocky, outspoken and very talented, Margaret gained many honors in her later years. With her short haircut and her dark dresses...

A lively and detailed mid-1940's vintage boardwalk scene of Santa Cruz, California by California artist Cassard (20th Century), 1944. This figurative...

A fine and important painting by the celebrated American Hudson River School painter William Trost Richards (1833-1905), the painting depicting the coastline at sunset Atlantic City, NJ, signed and dated 1875. This watercolor is fresh to the market from a private American collection, in the same family hands since the 1920's and housed in the original bronzed frame, condition is all original, we at Bloomsbury Fine Art had the work professionally remounted in archival acid free materials and UV glass. Condition is excellent. Framed: 20.25" tall x 30.25" wide x 1" deep At sight: 10.5" tall x 20.5" wide William Trost Richards was born in Philadelphia and began to draw at a young age. At thirteen he was forced to leave school to support his family and found a job designing ornamental metal fixtures. He continued to study art, eventually taking classes at the Pennsylvania Academy of the Fine Arts and exhibiting his first work there in 1852. In 1855 he made the first of several trips to Europe to look at art. An admirer of the great American landscape artists of his day, Frederic Edwin Church and John F...

Idyllic watercolor of grassland and mountains in Cuba by Leonard Lester (English, 1870-1952). A large, grasy field stretches out from the viewer, lush a...