John Kalymnios Abstract Drawings and Watercolors

Highly precise op-art composition by an unknown artist. A grid of colored squares has been created with various colors, divided by occasional diagonal lines that give the feel of ove...

Abstract geometric mixed media collage in black, white, and grey with details of bright red "Layered Plan #6", made by Hudson Valley artist, Donise English, in 2009 15 x 12 inches, 2...

Fred Conway “Two Golfers and a Caddy” c. 1965 Pen, Ink & Watercolor on Paper 13 x 17 inches Signed A member of the faculty of the Washington University Art School from 1929 to 1970, Frederick Conway...

Dana Piazza's creates abstract black and white and colorful drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper ar...

Owl, Circa 1970 - Op Art-Inspired Geometric Composition Date: Approximately 1970 Medium: Gouache on cardboard with embossed stamp Dimensions: H 64 cm x W 49 cm approx. A stylized o...

Dana Piazza's creates abstract colorful drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper are built upon algorithms, a set of instructions that details how he will draw each series. Different algorithms and geometric patterns result in multiple drawing series that appear divergent but all of Piazza’s work is focused on explorations of chance, discovery and time. Unintentional changes in the mark are inevitable and create distorted and moving images that almost appear as 3D renderings. Dana Piazza received a BFA Magna Cum Laude from the School of Art+Design at Purchase College in 2010. He lives and works in Massachusetts. Item description Square 16...

Serbian artist Dordevic (or Djordjevic) Miodrag (1936 -), known as "Miodrag," designed this stunning abstract drawing. This work is a charcoal on paper depicting a brutalist abstract...

11 color screen print Signed, dated, titled and numberedin pencil Edition: 150 (9/150) Provenance: Estate of the Artist By Decent

Dana Piazza's creates abstract colorful drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper are built upon algorit...

Richard Anuszkiewicz Near and Far Acuity, 1957 Gouache and watercolor painting Hand signed and dated 1957 by Richard Anuszkiewicz on the right front Frame included Anuszkiewicz' artworks from the late 1950s are rarely found on the market. This historic painting is one of the works that helped launch the artist's career. It was done in 1957 - the year the artist arrived in New York. Near and Far Acuity has been removed from its original frame, and re-framed in an elegant wood frame with conservation materials and UV plexiglass. The original gallery label from The Contemporaries has been preserved and affixed to the new backing, and the collector who acquires this work will also be provided with a copy of the original receipt - signed by Karl Lunde (director of the Contemporaries and author of a major monograph on the artist). Measurements: Frame: 32 x 28 x 2 inches Artwork: 21 x 25 inches This work was first exhibited in the groundbreaking, and career-making 1960 exhibition at The Contemporaries gallery (New York, February 29, 1960 - March 19, 1960) and was featured in the exhibition catalogue, shown in the images here. In his essay entitled "Richard Anuszkiewicz: Color Precisionist" by art historian John T. Spike, he writes, "In the spring of '57, Richard Anuszkiewicz left Ohio for good. "I was ready. I came to New York with a substantial amount of work. I was ready to go around to the galleries and I was prepared because I really had something. I had an idea. I had a series of paintings that showed this idea and I felt good about it and I felt now that's the only place for me to be." A friend helped him get a job touching up the plaster models of classical temples and statues in the Junior Museum of the Metropolitan Museum of Art. He took off six months the next year to travel around Europe in a Volkswagen, also seeing some places in North Africa. "When I came back, I remember taking my work around to the galleries and receiving interesting comments — positive comments from the various people. But Abstract Expressionism was very popular. My things were very hard-edged, very strong in color — a use of color that nobody was using. Everybody would say. 'Oh, they are nice, but so hard to look at. They hurt my eyes". Leo Castelli considered him seriously but the gallery was developing a specialization in pop artists like Jasper Johns and Robert Rauschenberg. "I can remember going to Martha Jackson and having her look at the work and she would put her hands straight out in front of her and block out parts of the painting with her hand and she'd say, mmm no rest areas." He finally caught on with The Contemporaries Gallery in the fall of 1959. The gallery at 992 Madison Avenue mainly represented new European talent. Karl Lunde, the gallery director, saw some of his canvases hanging...

Artist: Shlomo Koren, German (1932 - ) Title: Untitled - Conceptual Moon Phases 8 Year: 1965 Medium: Ink, Watercolor and Collage on Paper mounted to Canvas, signed l.l. Size: 15.5 in...

Dana Piazza's creates abstract colorful drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper are built upon algorit...