Joseph Kosuth Interior Prints
American, b. 1945
Joseph Kosuth ( born January 31, 1945), one of the pioneers of Conceptual art and installation art, has initiated language-based works and appropriation strategies since the 1960s. His work has consistently explored the production and role of language and meaning within art.(Biography provided by ArtWise)
to
1
1
1
Overall Height
to
Overall Width
to
1
1
2
89
86
74
51
1
1
1
1
Artist: Joseph Kosuth
Joseph Kosuth, L’Essence de la rhétorique est dans l’allégorie IV - Signed Print
By Joseph Kosuth
Located in Hamburg, DE
Joseph Kosuth ( American, b. 1945)
L’Essence de la rhétorique est dans l’allégorie IV, 1998
Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper
Dimensions: each 4...
Category
21st Century and Contemporary Contemporary Joseph Kosuth Interior Prints
Materials
Aquatint, Photogravure
Related Items
Breathing Blue
By Anish Kapoor
Located in London, GB
Offset lithograph on 350gsm paper
Numbered on verso
30 x 42 cm (11.81 x 16.54 in.)
Edition of 100
Anish Kapoor, renowned for his monumental sculptures and innovative use of materia...
Category
2010s Contemporary Joseph Kosuth Interior Prints
Materials
Lithograph
Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
By Howard Hodgkin
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Joseph Kosuth Interior Prints
Materials
Etching
Howard Hodgkin Early Evening in the Museum of Modern Art: abstract black white
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered 47/100, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique.
Part of a series of four prints reflecting on a visit to...
Category
Late 20th Century Abstract Joseph Kosuth Interior Prints
Materials
Gouache, Etching
All Alone in the Museum of Modern Art Howard Hodgkin abstract black painting
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm.
Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique.
Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Joseph Kosuth Interior Prints
Materials
Etching
Exhibition invitation card (Hand Signed and inscribed by Marina Abramovic)
By Marina Abramovic
Located in New York, NY
Marina Abramović
Exhibition invitation card (Hand Signed and inscribed by Marina Abramovic), 2014
Offset lithograph on invitation card (hand signed and inscribed by the artist)
Signed on the front LOVE, Marina Abramovic with "x's" on the vertical beams in the image
5 × 7 inches
Unframed
This is an invitation card for Marina Abramovic's exhibition "Generator" at Sean Kelly...
Category
2010s Contemporary Joseph Kosuth Interior Prints
Materials
Lithograph, Offset
Artist and Model Howard Hodgkin abstracted orange and black watercolor gouache
By Howard Hodgkin
Located in New York, NY
Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper.
This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Joseph Kosuth Interior Prints
Materials
Watercolor, Gouache, Etching
Silence, For John Cage (Hand Signed by Richard Serra) poster, 29" Ih) x 39" (w)
By Richard Serra
Located in New York, NY
Richard Serra
Silence, For John Cage (Hand Signed), 2016
Offset lithograph (hand signed by Richard Serra)
29 inches vertical × 39 inches horizontal
(ships rolled measureing 36 inches...
Category
2010s Contemporary Joseph Kosuth Interior Prints
Materials
Offset, Permanent Marker, Lithograph
No Reserve
H 36 in Dm 5 in
Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Paper: 30 x 40 in. / 76.2 x 101.5 cm.
Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures.
Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Joseph Kosuth Interior Prints
Materials
Etching
David Shapiro: Rene Ricard vintage poetry tombstone print "carved in stone"
By Rene Ricard
Located in New York, NY
The title of this poetic, abstract work is written across the top of the sheet. The hand-written cursive below reads: "David Shapiro / Told me he was going to / Carve his poems in st...
Category
1980s Contemporary Joseph Kosuth Interior Prints
Materials
Lithograph
Artist and Model Howard Hodgkin - green and yellow etching watercolour gouache
By Howard Hodgkin
Located in New York, NY
This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100.
Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Joseph Kosuth Interior Prints
Materials
Watercolor, Gouache, Etching
Room with a red arch - XXI Century, Contemporary Linocut Woodcut Print, Colorful
By Maria Stelmaszczyk
Located in Warsaw, PL
Maria Stelmaszczyk is a Polish artist born in 1983.
PROVENANCE
Exhibited at Katarzyna Napiorkowska Gallery.
The Gallery is a primary representative for this artist.
The Gallery o...
Category
Early 2000s Contemporary Joseph Kosuth Interior Prints
Materials
Linocut, Paper, Woodcut
Forged Rounds, Gagosian gallery exhibition poster, Hand signed by Richard Serra
By Richard Serra
Located in New York, NY
Richard Serra
Forged Rounds (hand signed), 2019
Offset lithograph poster (hand signed by Richard Serra)
26 × 40 inches
Boldly signed in black marker on the front by Richard Serra
Unf...
Category
2010s Contemporary Joseph Kosuth Interior Prints
Materials
Permanent Marker, Lithograph, Offset
Joseph Kosuth interior prints for sale on 1stDibs.
Find a wide variety of authentic Joseph Kosuth interior prints available for sale on 1stDibs. You can also browse by medium to find art by Joseph Kosuth in aquatint, etching, intaglio and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Joseph Kosuth interior prints, so small editions measuring 20 inches across are available. Customers who are interested in this artist might also find the work of Alexander Calder, David Shrigley, and Will Barnet. Joseph Kosuth interior prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,857 and tops out at $2,857, while the average work can sell for $2,857.