Kamsar Ohanyan Drawings and Watercolor Paintings

An original mixed media drawing by American artist A.J. Fries.

Paris Night 2 is a unique drawing by French contemporary artist Guillaume Chansarel. The drawing is made with ink and acrylic on kraft paper, dimensions are 28 × 36 cm (11 × 14.2 in)...

Theodore Waddell Midnight Angus Drawing #3 (Midwest, Cattle, Mid-Century, Prairie, Blue) Oil on Paper Year: 1990 Sheet Size: 30 x 40 inches (76.2 x 101.6 cm) Mat Size: 33.5 x 43.5 in...

A minimalist but masterfully executed monochrome watercolor. The work is striking in its lightness - although there is nothing on it except the figure of a child, from the way he is ...

Detailed European Landscape in Watercolor and Gouache on Paper This finely detailed watercolor painting captures a serene countryside setting with an old stone church, a rustic hous...

A most attractive watercolor by one of the forefathers of British watercolour painting. John White Abbott (1763-1851) Abraham and Isaac in an extensive landscape Pen, ink and wash 7...

Guglielmo Ciardi (Venice 1842 - Venice 1917) - Badoere Market. 20 x 27.5 cm without frame, 44.5 x 51 cm with frame. Pencil drawing on paper, within passe-partout in wooden frame. ...

"Showers Today" San Francisco's Chinatown on an Overcast Day Original Watercolor A two sided watercolor on Arches paper by San Francisco and Maryland artist Harolod Gretzner (America...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

This piece speaks of love that loses its freedom and becomes a cage. Of a bond in which a person dissolves, forgetting themselves, living through another’s needs, pain, and fears. It...

One of the characters in this scene is a mature man, kneeling with his head bowed and hands clasped near his chest in a gesture of supplication. His posture conveys a sense of humili...

French mid 20th Century drawing in the style of Georges Remi, dit Hergé. The work is not signed but is titled (La Chapelle) and dated (Sept 1969) bottom left. Presented in modern silvered frame under glass. A charming view of the chapel at the Nice Chateau cemetery on the Cote D'Azur in the South of France. The artist has captured the imposing nature of the fine colourful stone buildings with their arches, cupolas and finials. Surrounding the buildings are trees and bushes and to the foreground cars of typical 1960s design. The style of the artist is clearly inspired by the animations of Georges Remi, dit Hergé which were so popular at this period. Georges Remi, more commonly known as Hergé created his own clean, expressive style of drawings known as ligne claire...