Karel Capek Collectibles and Curiosities

Antique Terrestrial Geographia of Fleet Street London 12"inch World Globe on handcrafted Wooden Three Legged Base 1923 Made 55 Fleet Street, London Beautiful desktop globe, sho...

Graphic collection of assorted steel spacemen and robot molds from the 1940s.

Vintage Yves Saint Laurent Opium Parfum made in France Collectible Bottle 1980's This is vintage, hard to find, discontinued, collectible per...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

Scrimshaw of an engraved whale's tooth, depicting on one side, truncated pyramid cippus culminating with a half sphere and surmounted at the top by a six-pointed star, symbolism trac...

This book is the first complete survey and profile of one of the 20th centuries most accomplished architects and designers. He was incredibly prolific and did not just stick with arc...

This radio was made by Universal of Canada and dates to approximately 1965 and done in the period Mid-Century Modern style. This radio is a six transistor AM band portable radio done with a turquoise plastic molded...

Vintage Toy Robot: A Nostalgic Delight Bring a touch of retro charm to your home with this delightful vintage toy robot. This charming mechanical companion, named Emiglio, is in wor...

This is an antique pair of binoculars. A German, 4.5x magnification Neo Universal by CP Goerz of Berlin, dating to the early 20th century, circa 1920. Delightful binocular from a sought-after German specialist Displaying a desirable aged patina - optical elements in clear order Elegantly milled brass with painted black finish Complete with black leather carry pouch CP Goerz Berlin logo present on left barrel; Neo Universal model name to the right Knurled central focus wheel encased within pleasingly formed, folding bridge Smaller adjustment wheel with marking range from 64-72 Serial number of 580854 engraved into front fascia Turned eyecups, adjustment wheel to the right Hand grips dressed in quality textured leather Carry pouch in original condition - clasp not situated Interior dressed with smooth, dark blue velour This is a wonderful pair of vintage binoculars...

AUTHOR: CHURCHILL, Winston. TITLE: The World Crisis. 1911-1918 / The Aftermath / The Eastern Front. PUBLISHER: London: Thornton Butterworth, Ltd., 1923-1931. DESCRIPTION: ALL FIR...

Author Karen Elson, Foreword by Edward Enninful and Tim Walker, Contributions by Grace Coddington One of fashion's most iconic redheads pens a moving comin...

Vintage Stanrite Universal Art Easel Aluminum Tripod 57 h x 27 d x 29 w Height is adjustable Original vintage, refer to listed images please.