Kate Wilczynski Art

Family at the Beach WPA Modernism American Scene Social Realism Mid 20th Century William Gropper (1898 - 1977) "Family at the Beach" 27 1/2 x 19 1/2 inches Mixed media on paper, c. 1940 Signed lower left Provenance: Estate of the artist. The drawing will ship from the home of Mr. Gropper's grandson. Bio Throughout his life, William Gropper used his artistic talents to protest social injustice. Born in New York City, he grew up there in poverty and left high school to work as a dishwasher and delivery boy. He eventually began a career in art and was able to study with Robert Henri and George Bellows from 1912 to 1915. He adopted their realistic painting style, and his own work expressed sympathy for common laborers and outrage at society's ills. In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he provided illustrations and cartoons for a variety of magazines, from the left-wing New Masses to mainstream Vanity Fair. Like many social realist artists of the 1930s, Gropper supported liberal political causes, depicting subjects such as the plight of migrant laborers and striking factory workers. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA Ernest Hamlin Baker (1889 – 1975) “Today Magazine” Cover ...

"Good Health Week" American Scene Modern Social Realism Double Sided WPA Era Jo Cain (1904 - 2003) Good Health Week – double sided 13 3/4 x 20 1/2 in...

"Steel Factory" Cuban Mid 20th Century Modern Drawing WPA Latin Art Industrial Ink on paper. 12 x 19 inches. Pogolotti lived in Paris in the 1930s. The drawing here comes from the collection of his Parisian ophthalmologist, Dr. Prokopenko . Unfortunately, the artist lost his eyesight in 1938. Marcelo Pogolotti (1902–1988) was a Cuban painter...

"Marc Chagall" Original Drawing Illustration Caricature William Saroyan book This drawing was published in the 1976 edition of William Saroyan's SONS ...

"Mission Impossible" Original TV Guide Drawing Illustration Caricature Mid Century NYC with Greg Morris, Barbara Bain, and Steve Hill. This original drawing...

John Begg studied art at Columbia University, with Arthur Wesley Dow, with Charles Martin, and studied sculpture with Jose De Creeft and Ossip Zadkine.  He was a member of the  Ameri...

"The Defiant Ones" Tony Curtis Sidney Poitier Oscar Winning 1958 film Caricature. Two escaped convicts chained together, one white and one black, must l...

A nude viewed from behind, with black hair , inscribed on the lower right by the artist John Begg "Mature Nude" c.1953 Outlined in black ink and with som...

John Begg studied art at Columbia University, with Arthur Wesley Dow, with Charles Martin, and studied sculpture with Jose De Creeft and Ossip Zadkine.  He was a member of the  Ameri...

Hermann Rastorfer was a draftsman, painter, sculptor, illustrator, ceramist, designer, poster artist, developer of advertising concepts and communication campaigns, inventor, and architect. He began as a typesetter in Salzburg. In the mid-1950s, he moved to Germany, where he soon founded his own studio for graphic design and advertising. His goal was always to give each product a distinctive, highly recognizable appearance. He designed his own design line for the German pharmaceutical company Boehringer Ingelheim, artistic cover images for numerous paperbacks from renowned publishers, and packaging for well-known products such as Ferrero Küsschen, Mon Chéri, Martell cognac...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. Th...