Katerina Hatzi Nude Paintings

George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right. Price on request Biography: Birth place: Manchester, NH Addresses: Primarily in NYC from 1852 Profession: Still-life, genre, portrait painter Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889 Member: ANA, 1853; NA, 1868; Century Assn. Work: MMA; BM; BMFA Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...

This piece highlights the energy of the sacral chakra, located in the reproductive organs. This chakra carries the energy of creation, power exchange, and relationship. Featuring a m...

Vivid abstract expressionist painting of a colorful nude female figure by the artist Tom Hamil (American, b. 1928). Signed on verso "Tom Hamil". Circa 1970's. Unframed. Image size: 14"H x 8"W. Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico. In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society. Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...

This striking artwork captures the essence of a shirtless young man in a moment of profound contemplation. His gaze, both pained and optimistic, fixated upon an unseen horizon, offers a captivating entry point into the complex emotional narrative that underlies the piece. Salaudeen's use of color is masterful, drawing viewers' eyes immediately to the central figure. The young man's skin is rendered in a palette of subtle, earthy tones, emphasizing his vulnerability and humanity. The absence of a shirt lays bare his raw emotions and exposes the vulnerability we all share when facing adversity. However, it is the juxtaposition of the man's countenance that truly captivates the viewer. The artist has masterfully crafted an expression that is simultaneously heavy with the weight of the world and imbued with an undeniable glimmer of hope. The furrowed brow and furrowed lips are etched with the lines of a thousand struggles, yet his eyes betray a flicker of optimism. This duality is what makes "Help is Coming" so compelling; it encapsulates the human experience of confronting adversity, where pain and hope often intermingle in the most profound ways. The title, "Help is Coming," adds depth to the narrative woven into the piece. It suggests that, despite the pain etched onto the young man's face, there is a belief in a brighter future, a conviction that support and relief are on the horizon. This message resonates with viewers on a universal level, serving as a reminder that even in the darkest moments, there is the potential for change and improvement. Salaudeen's technique also deserves special mention. His meticulous attention to detail is evident in the fine lines and textures that make the young man's skin seem almost tangible. The background, although abstract and dreamlike, subtly hints at the broader context of the man's struggles, inviting viewers to interpret the piece through their own experiences and perspectives. "Help is Coming" is more than just a static image; it is a visual poem that speaks to the shared human experience of pain, resilience, and hope. It encourages us to reflect on our own journeys, reminding us that, no matter how daunting the challenges we face, there is always the potential for relief and redemption. In a world often filled with chaos and uncertainty, art has the power to provide solace and inspiration. Abdulateef Salaudeen...

Oil on canvas Signed in red, u.r. $3250.00 + $200.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...

Diego Glazer's "Reclining Nude in Green" is an original, handmade oil painting that is framed and ready to hang. The framed measurements are 11.5 in H x 1...

"Skylover" is a contemporary realist male nude perspective oil painting in a unique wood frame. An ellipse shaped canvas displays a man laying on the ground under the morning sky. Hi...

China, 2010 Oil on canvas (Signed, front right middle) 14.96 H x 18.11 W in. 38 H x 46 W cm. The contemporary society is seen as an "extra-wrapped" society by the artist Mihai Flore...

Brazil, 2010 Oil on canvas (Signed, front right middle) 14.96 H x 18.11 W in. 38 H x 46 W cm. The contemporary society is seen as an "extra-wrapped" society by the artist Mihai Flor...

"Way Forward," a captivating artwork by Abdullateef Salaudeen, portrays a young woman turning her back to the viewer, her flowing weaved hair creating a mesmerizing visual tapestry. This piece invites viewers to contemplate the symbolic journey of the individual and the profound act of embracing the unknown. Salaudeen's choice of composition is deliberate, drawing attention to the woman's flowing hair that cascades down her shoulders. The subtle details in the weave capture the essence of intricate paths and choices, symbolizing the complexities of life's journey. The act of turning away becomes a metaphor for stepping into the future with confidence and curiosity. The title, "Way Forward," reinforces the forward-facing theme, suggesting that the woman is not retreating but rather moving ahead. The artist prompts viewers to reflect on the idea that progress often involves a willingness to venture into new territories, leaving the familiar behind in pursuit of growth and self-discovery. The flowing weaved hair serves as a visual metaphor for interconnected experiences and the interwoven threads of life. Salaudeen's masterful use of color and texture adds depth to the artwork, creating a sense of movement and dynamism. The overall composition invites viewers to appreciate the beauty in change and the transformative power of embracing the path that lies ahead. "Way Forward" stands as a celebration of resilience, courage, and the inherent beauty found in the journey of self-discovery. Abdullateef Salaudeen's artwork encourages viewers to embrace the uncertainties that lie ahead, acknowledging that the way forward is often paved with both challenges and moments of profound beauty. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues by the Gallery) About Artist Abdulateef Salaudeen...

Janusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow. 1983 onward, he became the m...

Janusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow. 1983 onward, he became the m...